Performances da escrita
DOI :
https://doi.org/10.17851/2317-2096.21.1.27-36Mots-clés :
performance, escrita, literatura, writing, literature.Résumé
Resumo: Este artigo aponta as características de uma escrita performática a partir do cruzamento entre o discurso ficcional, o discurso filosófico e o discurso crítico como formas equivalentes de experiência. Busca-se compreender os diferentes contextos em que a performance, como campo de experimentação, invade a área dos estudos literários, produzindo efeitos de deslocamento do cânone e seus modos de legitimidade, bem como visa a problematizar os lugares determinados do emissor e do receptor do texto; do artista, do filósofo e do crítico.
Palavras-chave: performance; escrita; literatura.
Abstract: This article deals with the characteristics of performatic writing from the perspective of the interconnection among the fictional, the philosophical and the critical discourses taking them as corresponding modes of experience. It aims to set an understanding of the different contexts within which the performance, as a ground of experimentation, invades the field of literary studies producing shifting effects of the canon and its modes. This paper also aims to set an issue about the places of the writer and the reader of the text, as well as the artist, the philosopher and the critic.
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Références
GLUSBERG, Jorge. A arte da performance. São Paulo: Perspectiva, 2003.
GUMBRECHT, Hans Ulrich. Produção de presença: o que o sentido não consegue transmitir. Trad. Ana Isabel Soares. Rio de Janeiro: Contraponto: Ed. PUC-Rio, 2010.
LAKOFF, George; JOHNSON, Mark. Metáforas da vida cotidiana. Trad. Mara Sophia Zanotto. Campinas: Mercado de Letras; São Paulo: EDUC, 2002.
MEDEIROS, Maria Beatriz de; MONTEIRO, Marianna F. M. (Org.). Espaço e performance. Brasília: Editora UnB, 2007.
ONFRAY, Michel. A potência de existir: manifesto hedonista. Trad. Eduardo Brandão. São Paulo: Martins Fontes, 2010.
RANCIÈRE, Jacques. A partilha do sensível: estética e política. Trad. Mônica Costa Netto. São Paulo: Editora 34, 2005.
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(c) Tous droits réservés Alex Beigui (Autor) 2011
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