Escópicas: notas a partir de um lugar
DOI:
https://doi.org/10.17851/2317-2096.10..65-71Palabras clave:
imagem, representação, arte contemporânea, image, representation, contemporary art.Resumen
Resumo: O texto apresenta fragmentos de leitura a partir de filósofos que se dedicaram ao estudo da imagem. Da figuração ou da representação no olhar da arte contemporânea o que resta é a sensação, a percepção, no movimento do olhar ou do tocar. A arte háptica nos convida a um outro pensar.
Palavras chave: imagem; representação; arte contemporânea.
Abstract: This text presents fragments of reading triggered by philosophers who elaborated on image. From contemporary art's imaging and representation all that is left is sensation or perception, within the move to glance and touch. Haptic art invites us onto another mode of thinking.
Keywords: image; representation; contemporary art.
Descargas
Referencias
LYOTARD, J. F. Discours, figure. Paris: Klincksieck, 1971.
MERLEAU-PONTY, M. Le visible et l'invisible. Paris: Gallimard, 1964.
GINSBURG, C. Olhos de madeira. São Paulo: Cia das Letras, [s.d.].
NANCY, J. L. Au fond des images. Paris: Galilée, 2003.
NANCY, J. L. Corpus. Paris: Metailié, 2000.
DIDI-HUBERMAN, G. O que vemos, o que nos olha. São Paulo: 34, 1998.
DERRIDA, J. Le toucher, Jean-Luc Nancy. Paris: Galilée, 2000.
DUBUFFET, J. Notes pour les fins lettrés. In: LICHTENSTEIN, J. (org.). La Peinture. Paris: Larousse, 1995.
Descargas
Publicado
Número
Sección
Licencia
Derechos de autor 2003 Vera Casa Nova (Autor)
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Cómo citar
