Roland Barthes ou as visões de Hildegarda
DOI:
https://doi.org/10.17851/2317-2096.18.2.157-172Palabras clave:
Barthes, Twombly, estética, interpretação, aesthetics, interpretation.Resumen
Resumo: trabalho reflete sobre os limites da interpretação, tendo comoeixo a leitura, por Barthes, de três desenhos de Cy Twombly.
Palavras-chave: Barthes; Twombly; estética; interpretação.
Abstract: This paper examines the limits of interpretation, based on Barthes’s reading of three drawings by Cy Twombly.
Keywords: Barthe; Twombly; aesthetics; interpretation.
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Referencias
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BARTHES, Roland. Erté. Rio de Janeiro: Nova Fronteira/FMR, 1976.
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DELROSCIO, Nicola. Writing on Cy Twombly. Schinner/Mosel, s/d.
HOTTOIS, Gilbert. História da filosofia: da renascença à pós-modernidade. Lisboa: Instituto Piaget, 2003.
LEEMAN, Richard. Cy Twombly. London: Thames & Hudson, 2005.
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SYLVESTER, David. Sobre arte moderna. São Paulo: Cosacnaif, 2007.
TODOROV, Tzvetan. Critique de la critique. Un roman d’apprentissage. Paris: Seuil, 1984.
VASCONCELLOS, Maria José Esteves de. Pensamento sistêmico: o novo paradigma da ciência. Campinas: Papirus; Belo Horizonte: Puc Minas, 2002.
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Derechos de autor 2008 Affonso Romano de Sant’Anna (Autor)
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