Da poética do engajamento na literatura policial de Laura Lippman
DOI :
https://doi.org/10.17851/2317-2096.23.1.123-135Mots-clés :
Laura Lippman, literatura policial, projeto éticoRésumé
Este artigo propõe investigar como se dá a relação da literatura policial de Laura Lippman com um projeto ético determinado. Com base na leitura de obras selecionadas, pretende-se analisar como essa autora se vale da inventividade da linguagem para traduzir, em narrativa, o fenômeno da violência e a falência das instituições.
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Références
CHANDLER, Raymond. A simples arte de matar: um ensaio. In: A simples arte de matar. Tradução de Beatriz Viégas-Faria. Porto Alegre: L&PM Editores, 1997. p. 393-412.
BUTLER, Judith. Problemas de gênero: feminismo e subversão da identidade. Tradução de Renato Aguiar. Rio de Janeiro: Civilização Brasileira, 2003.
FLUDERNIK, Monika. New wine in old bottles?: voice, focalization, and new writing. New Literary History, Charlottesville (Virginia), v. 32, nº. 3, p. 619-38, verão 2001.
HORSLEY, Lee. The noir thriller. Hampshire & New York: Palgrave, 2001.
HORSLEY, Lee . Twentieth-century crime fiction. Oxford: Oxford University Press, 2005.
LIPPMAN, Laura. Another thing to fall. New York: Harper, 2008.
LIPPMAN, Laura . Every secret thing. New York: Avon Books, 2003.
ONATADE, Ayo. Laura Lippman speaks to Ayo Onatade for Shots Ezine. Disponível em: http://www.shotsmag.co.uk/shots23/intvus_23/llippman.html. Acesso em: 28 fev. 2013.
RICHARDSON, Brian. Unnatural voices: extreme narration in modern and contemporary fiction. Columbus: The Ohio State University Press, 2006.
SIDDIQUE, Haroon. James Bulger killing: the case history of Jon Venables and Robert Thompson. Disponível em: http://www.guardian.co.uk/uk/2010/mar/03/james-bulger-case-venables-thompson. Acesso em: 28 fev. 2013.
TACCA, Oscar. As vozes do romance. Tradução de Margarida C. Gouveia. Coimbra: Livraria Almedina, 1983.
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(c) Copyright Isabella Santos Mundim (Autor) 2013
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