O conceito de “Transmidialidade” e um exemplo

Repetição através das Artes/Mídias

Autores

DOI:

https://doi.org/10.35699/2317-2096.2022.35451

Palavras-chave:

Transmidialidade, Intermidialidade, Narratologia, Repetição, Literatura, Música

Resumo

Embora nem todos os estudiosos considerem a transmidialidade uma variante da intermidialidade, este texto defende que esse conceito refere-se ao potencial dos textos que "viajam" através das artes e mídias, sendo , portanto, relacionado à intermidialidade. Alguns benefícios dessa classificação serão ilustrados em relação à repetição em literatura e música. As comparações transmidiáticas sempre mostraram que algumas mídias ou gêneros específicos de mídia podem realizar o fenômeno transmidiático melhor do que outros, o que também é o caso da repetição. Aponta-se que, devido à incompatibilidade entre narratividade e a repetição large-scale  meramente motivada pela forma, esta é mais frequente em mídias ou gêneros com tendência menos narrativa e que a tendência para tal repetição  ou sua falta podem indicar o potencial narrativo de uma certa mídia ou gênero. Além de ser uma contribbuição para os estudos inter ou transmidiáticos, o ensaio mostra-se também relevante para a narratologia.

Referências

BECKETT, Samuel. Waiting for Godot. In: BECKETT, Samuel. Dramatische Dichtungen in drei Sprachen. Frankfurt a. M.: Suhrkamp, 1953/56. p. 365-452.

BERNHART, Walter; WOLF, Werner (eds.). Self-reference in Literature and Music. Amsterdam/New York: NY: Rodopi, 2010. (Word and Music Studies, 11).

BLAKE, William. The Tyger. In: BUTTER, P. H. London et al. (eds.). William Blake, Selected Poems. London: Dent, 1794/1982. p. 33.

DRAGAN, Cristian Eduard. The same thing over and over again: single-shot repetition as cinematic metareference in Spaceballs (Mel Brooks, 1987). Studies in Visual Arts and Communication v. 7, n. 2, p. 23-29, 2020.

ENGLUND, Axel. Intermedial Topography and Metaphorical Interaction. In: ELLESTRÖM, Lars (ed.). Media Borders, Multimodality and Intermediality. Houndmills, Basingstoke/New York, NY: Palgrave Macmillan, 2010, p. 69-80.

FREEMAN, Matthey; GAMBARATO, Renira Rampazzo. Transmedia studies – Where Now? In: FREEMAN Matthew; GAMBARATO, Renira Rampazzo (eds.). The Routledge Companion to Transmedia Studies. New York, NY: Routledge, 2018. p. 1-12.

HÜHN, Peter. Narratological Analyses of Lyric Poetry: Studies in English Poetry from the 16th to the 20th century. Berlin: de Gruyter, 2005. (Narratologia: Contributions to Narrative Theory, 7).

JENKINS, Henry. Convergence Culture – Where Old and New Media Collide. New York, NY/London: New York University Press, 2006/2008.

MEYER, Urs; SIMANOWSKI, Roberto; ZELLER, Christoph (eds.). Transmedialität. Zur Ästhetik paraliterarischer Verfahren. Göttingen: Wallstein Verlag, 2006, p. 7-17.

QUENEAU, Raymond. Exercices de Style. Online: https:desmotsetidees.fr/medias/exercices-de-style.pdf 1958/online (accessed Feb. 4, 2021).

RAJEWSKY, Irina O. Intermedialität. Tübingen: Franke, 2002. (UTB, 2261).

RAJEWSKY, Irina O. Potential Potentials of Transmediality: The Media Blindness of (Classical) Narratolgy and Its Implications for Transmedial Approaches. In: DE TORO, Alfonso (ed.). Translatio: Transmédialité en littérature, peinture, photographie et au cinéma. Paris: L‘Harmattan, 2013, p. 17-36.

RAJEWSKY, Irina O. Intermedialität, remediation, Multimedia. In: SCHRÖTER, Jens (ed.). Handbuch Medienwissenschaften. Stuttgart: Metzler, 2014, p. 197-206.

RYAN, Marie-Laure. Media and Narrative. In: HERMAN, David; JAHN, Manfred; RYAN, Marie-Laure (eds.). The Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005, p. 288-292.

THON, Jan-Noël (ed.). Transmedial Narratology and Contemporary Media Culture. Lincoln, NE: U of Nebraska, 2016.

TODOROV, Tzvetan. La grammaire du récit. Langages v. 12, p. 94-102, 1968.

TOOLAN, Michael J. Narrative. A Critical Linguistic Introduction. London/New York, N.Y.: Routledge, 1988.

WALZEL, Oscar. Wechselseitige Erhellung der Künste. Berlin: Reuther & Reichard, 1917.

WOLF, Werner. Intermedialität. In: NÜNNING, Ansgar (ed.). Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Stuttgart: Metzlersche Verlagsbuch¬handlung, 1998; fifth ed. 2013, p. 344-346.

WOLF, Werner. Towards a Functional Analysis of Intermediality: The Case of Twentieth-Century Musicalized Fiction. In: HEDLING, Erik; LAGERROTH, Ulla-Britta (eds.). Cultural Functions of Intermedial Explorations. Amsterdam: Rodopi, 2002, p.15-34. Revised reprint: WOLF, 2018, p. 38-62.

WOLF, Werner. Metafiction and Metamusic: Exploring the Limits of Metareference. In: NÖTH, Winfried; BISHARA, Nina (eds). Self-Reference in the Media. Berlin: Mouton de Gruyter, 2007, p. 303-324. (Approaches to Applied Semiotics, 6). Revised reprint: WOLF, 2018, p. 295-316.

WOLF, Werner. Narrativity in Instrumental Music? A Prototypical Narratological Approach to a Vexed Question. In: BERNHART, Walter (ed.). Selected Essays on Intermediality by Werner Wolf (1992-2014): Theory and Typology, Literature-Music Relations, Transmedial Narratology, Miscellaneous Transmedial Phenomena. Leiden/Boston: Rodopi, 2018, p. 480-500.

WOLF, Werner. The Relevance of ‘Mediality’ and ‘Intermediality’ to Academic Studies of English Literature. In: HEUSSER, Martin; FISCHER, Andreas; JUCKER, Andreas H. (eds.). Mediality/Intermediality. Tübingen: Gunter Narr, 2008, p. 15-43. (SPELL, 21). Revised reprint: WOLF, 2018, p.127-152.

WOLF, Werner. Metamusic? Potentials and Limits of ‘Metareference’ in Instrumental Music – Theoretical Reflections and a Case Study (Mozart, ‘Ein musikalischer Spaß’). In: BERNHART, Walter; WOLF, Werner (eds.). Self-reference in Literature and Music. Amsterdam/New York, NY: Rodopi, 2010, p. 1-32. Revised reprint: WOLF, 2018, p. 317-346. (Word and Music Studies, 1).

WOLF, Werner. Wiederholung/Ähnlichkeit in der (Sprach)kunst als sinnstiftende formale Selbstreferenz. In: EKE, Norbert Otto; FOIT, Lioba; KAERLEIN, Timo; KÜNSEMÖLLER, Jörn (eds.). Logiken strukturbildender Prozesse: Automatismen. Munich: Fink, 2014, p. 227-251. (Schriftenreihe des Graduiertenkollegs ‘Automatismen’). Revised reprint. WOLF, 2018, p. 631-659.

WOLF, Werner. Selected Essays on Intermediality by Werner Wolf (1992-2014): Theory and Typology, Literature-Music Relations, Transmedial Narratology, Miscellaneous Transmedial Phenomena. BERNHART, Walter (ed.). Leiden/Boston, MA: Brill-Rodopi, 2018. (Studies in Intermediality, 10).

WOLF, Werner. Lyric Poetry and Narrativity: A Critical Revaluation, and the Need for ‘Lyrology’. Narrative. v. 28, n. 2, p.143-173, 2020.

WOLF, Werner (ed.). Metareference across Media: Theory and Case Studies – Dedicated to Walter Bernhart on the Occasion of His Retirement. Amsterdam/New York, NY: Rodopi, 2009. (Studies in Intermediality, 4).

WOLF, Werner (ed.). The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at Explanation. Amsterdam/New York, NY: Rodopi, 2011. (Studies in Intermediality, 5).

WOLF, Werner; BERNHART, Walter (eds.). Framing Borders in Literature and Other Media. Amsterdam: Rodopi, 2006. (Studies in Intermediality, 1).

WOLF, Werner; BERNHART, Walter (eds.). Description in Literature and Other Media. Amsterdam: Rodopi, 2007. (Studies in Intermediality, 2).

WOLF, Werner; BERNHART, Walter; MAHLER, Andreas (eds.). Immersion and Distance: Aesthetic Illusion in Literature and Other Media. Amsterdam/New York, NY: Rodopi. 2013. (Studies in Intermediality, 6).

WOLF, Werner; BERNHART, Walter (eds.). Silence and Absence in Literature and Music. Leiden/Boston, MA: Brill-Rodopi, 2016. (Word and Music Studies, 15).

WOLF, Werner; BALESTRINI, Nassim; BERNHART, Walter (eds.). Meaningful Absence across Arts and Media: The Significance of Missing Signifiers. Leiden/Boston, MA: Brill-Rodopi, 2019. (Studies in Intermediality, 11).

Downloads

Publicado

2022-05-13

Edição

Seção

Temática livre

Como Citar

O conceito de “Transmidialidade” e um exemplo: Repetição através das Artes/Mídias. (2022). Aletria: Revista De Estudos De Literatura, 32(1), 213-232. https://doi.org/10.35699/2317-2096.2022.35451