Musicology and/as social concern
imagining the relevant musicologist
Keywords:
Careers in music, Musicology and social relevance, Cultural policies influenced by musicologists, Western art musicAbstract
Social concerns and ideologies are reflected (1) in our very choice of subject or repertoire, (2) in our conscious attempts to place individua ls and repertoires in co ncrete historical or cultural context, and (3) in the paradigms and assumptions upon which we build our various arguments and narratives (progress, the 'great man,' the nation, Marxism, feminism). How might scholars of musicology act most respon sibly toward musicology students, adjunct faculty, and fellow scholars (including thos e trying new approaches)? In what non-musicological arenas might such scholars help to shape cultural and social policies? This text was originally published as Chapter 22 of: COOK, Nicholas; EVERIST, Mark (eds.). Rethinking Music. Oxford, New York: Oxford University Press, 2001. p.499-530. ISBN10: 0-19-879003-1 (hbk); ISBN10: 0-19-879004-X (pbk); ISBN13: 978-0-19-879004-4.
Downloads
References
BERGERON, Katherine e BOHLMAN, Philip V. (eds.) (1992). Disciplining Music: Musicology and its Canons. Chicago: University of Chicago Press.
BLOOM, Harold (1994). The Western Canon: The Books and School of the Ages. New York: Riverhead Books.
BOHLMAN, Philip V. (1993). “Musicology as a Political Act”. The Journal of Musicology, v.11, n.4, p.411-436.
CITRON, Marcia J. (1993). Gender and the Musical Canon. Cambridge: University of Cambridge.
COOK, Nicholas; EVERIST, Mark (eds.) (2001). Rethinking Music. Oxford, New York: Oxford University Press.
COOLEY, Timothy J. e BARZ, Gregory F. (eds.) (1997). Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Columbia University Press.
COVACH, John (2001). “Popular Music, Unpopular Musicology”. In: COOK, Nicholas; EVERIST, Mark (eds.). Rethinking Music. Oxford, New York: Oxford
University Press. p.452-470.
CUSICK Suzanne (2001). “Gender, Musicology and Feminism”. In: COOK, Nicholas; EVERIST, Mark (eds.). Rethinking Music. Oxford, New York: Oxford University Press. p.471-498.
EGGEBRECHT, Hans Heinirich (1991). “Blickpunkt Musikwissenschaft”. In: THALER, Lotte (ed.). “Forum: Musikwissenschaft - quo vadis?” Neue Zeitschrift für
Musik, Mainz, v.152, n.2, p.13-21, 2 fev.
HEISTER, Hanns-Werner (1983). Das Konzert, ii. Oldenburg: Heinrichshofen Verlag.
HIRSHBERG, Jehoash; SAGIV, David (1978). “The ‘Israeli’ in Israeli Music: The Audience Responds”. Israel Studies in Musicology, Jerusalem, v.1, p.159-173.
HUGHES, Merion (1989). “‘The Duc d’Elgar’: Making a Composer Gentleman”. In: NORRIS, Christopher (ed.). Music and the Politics of Culture. London: Lawrence and Wishart, p.41-68.
KNEPLER, Georg (1972). “Music Historiography in Eastern Europe”. In: BROOK, Barry S.; DOWNES, Edward O. D.; SOLKEMA, Sherman van (eds.). Pesperctives in Musicology. New York: Norton. p.227-248.
LEVY, Janet M. (1987). “Cover and Casual Values in Recent Writings About Music”. The Journal of Musicology, Oakland, v.5, p.3-27.
LEVINE, Lawrence W. (1988). Highbrow/Lowbrow. Cambridge: Harvard University Press.
LISZT, Franz (1995). Artiste et société; ed. Rémy Stricker. Paris: Flammarion.
MARTIN, George W. (1963). Verdi: His Music, Life, and Times. New York: Dodd, Mead.
MAUSER, Siegfried (1991). [Sem título]. In: THALER, Lotte (ed.). “Forum: Musikwissenschaft - quo vadis?” Neue Zeitschrift für Musik, Mainz, v.152, n.2, p.13-21, 2 fev.
MacKINNON, Catherine A. (1993). Just Words. Cambridge: Harvard University Press.
McGOWAN, John (1991). Postmodernism and its Critics. Ithaca: Cornell University Press.
NOTLEY, Margaret (1993-1994). “Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna”. 19th-Century Music, Oakland, v.17, p.107-123.
PHILLIPS-MATZ, Mary Jane (1993). Verdi: A Biography. New York: Oxford University Press.
ROTHSTEIN, William (1990). “The Americanization of Heinrich Schenker”. In: SIEGEL, Hedi (ed.). Schenker Studies. New York: Cambridge University Press. p.192-203.
SAID, Edward (1991). Musical Elaborations. New York: Columbia University Press.
SOLOMON, Maynard (1977). Beethoven. New York: Schirmer.
SUBOTNIK, Rose Rosengard (1991). Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press.
WEBER, William (1992). The Rise of Musical Classics in Eighteenth-Century England. Oxford: Clarendon Press.
WILLIAMS, Christopher A. (1993). “Of Canons and Context: Toward a Historiography of Twentieth-Century Music”. Repercussions, Berkeley, v.2, n.1, p.31-74, Spring.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2015 Per Musi
This work is licensed under a Creative Commons Attribution 4.0 International License.
Except where otherwise noted, contents on this site are licensed under a Creative Commons - Atribuição 4.0 Internacional.
