DeNora’s Beethoven

the context is in the text

Authors

Keywords:

Beethoven, Canon, Viennese classicism, Reception context, Music and society, Tia deNora

Abstract

Study on the impact of the deNOra’s book (1995) and discussion of the concepts that come to light, from a sociological approach to the phenomenon of “creative genius”; the emergence of the concept of “serious music” as opposed to entertainment; strategies of occupation of a particular cultural field and its applications in new contexts. all factors that elected Beethoven are inoperative in a world where new rules are imposed on artistic production, as much as on the production of goods in general: this is the main contribution of this book, which remained unnoticed by most of the reviews published at the time of his publication.

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Author Biography

Marcos Câmara de Castro, University of São Paulo (USP) (Brazil)

PhD professor at the music department of the Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto (SP). Graduated in composition, he has a master's and doctorate on the composer Fructuoso Vianna (1896-1976). In the area of conducting and choral singing, he has been critically reviewing the bibliography and editing the Brazilian choral songbook. In 2008 he created the University Orchestra USP/RP: action and reflection in orchestral practice. these actions are gathered in his main line of research: ethnography of contemporary classical music: creation and performance.

References

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Published

2012-12-10

How to Cite

Castro, Marcos Câmara de. 2012. “DeNora’s Beethoven: The Context Is in the Text”. Per Musi, no. 26 (December):1-9. https://periodicos.ufmg.br/index.php/permusi/article/view/39966.

Issue

No. 26 (2012): General Topics

Section

Articles in Portuguese/Spanish

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