Sonnets of Love by Adami, for recorder and piano

analysis and performance

Authors

Keywords:

Performance, Musical analyzes, Recorder and piano, Brazilian contemporary music

Abstract

This paper analyzes and discusses the construction of the performance of Sonetos de Amor (Sonnets of Love), for flute and piano, work composed in 1999 by Felipe Kirst Adami. The work was inspired by the poetry collection Cien Sonetos de Amor by Pablo Neruda, having been recorded on CD Sonetos de Amor e Morte (Sonnets of Love and Death) by Luciane Cuervo. In this paper, the researcher and interpreter reflects on the context of the composition and its creator, as well as analyzes the idiomatic writing for the instruments and their interpretation, seeking to provide elements for future performers and composers interested in these instruments. The paper is organized in four parts, similarly to the four movements of the work: Morning, Noon, Evening, Night.

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Author Biography

Luciane da Costa Cuervo, Federal University of the Rio Grande do Sul (UFRGS) (Brazil)

Professor at the Department of Music at UFRGS, in both classroom and distance education. Master in Education at PPGEDU/UFRGS (CNPq, 2009), she is currently vice-leader of EDUCAMUS, Research Group in Music and Education at PPGEDU/UFRGS, coordinated by Dr. Leda Maffioletti. First B.A. in Sweet Flute from UFRGS (2001), she has premiered several Brazilian pieces for recorder. Winner of the OSPA/2001 Young Soloists Competition, in the following year she released the CD Sonetos de Amor e Morte. She performs in various chamber music formations and as soloist and orchestras, especially the Duo Cuervo/Adami, of recorder and harpsichord/piano, active since 1998. In 2010 he received an Honorable Mention for services to EAD at UFRGS. In 2011 he created the Educação Musical e Musicalidade website, dedicated to the dissemination of learning objects for the area, available at  http://paginas.ufrgs.br/musicalidade.

References

ADAMI, Felipe Kirst. Eterna Ciklo: inter-relações entre concepções estéticas e processos composicionais na construção de um conjunto de composições. Dissertação de Mestrado em Composição Musical. PPGMUS, UFRGS, Porto Alegre, 2004.

BORÉM, Fausto. Por uma unidade e diversidade da pedagogia da performance. Revista da ABEM, Porto Alegre, V. 13, 45-54, mar. 2006.

CUERVO, Luciane. Música Contemporânea para Flauta Doce: um diálogo entre educação musical, composição e interpretação. In: Anais do XVIII Congresso da Associação Nacional de Pesquisa e Pós-Graduação de Música (ANPPOM)/2008. Salvador, 2008, p.227-230.

CUERVO, Luciane. Musicalidade na Performance com a Flauta Doce. Dissertação de Mestrado em Educação. PPGEDU, UFRGS, Porto Alegre, 2009. Disponível em: http://www.lume.ufrgs.br/bitstream/handle/10183/15663/000687332.pdf?sequence=1 Acesso em: 12 Set.2009.

HALLAM, Susan. “What do we about practicing? Toward a model synthesising the research literature’. In: JORGENSEN, H.; LEHMANN, A. C., (Orgs.) Does practice make perfect? Current theory and research on instrumental music practice, pp.179-231. Oslo: Norges Musikkhogskole, 1997.

HAUWE, Walter van. The Modern Recorder Player (v. 1 a 3). Londres: Schott Music Ltd., 1992.

HUNT, Edgar. The Recorder and its music. Londres: Eulenburg Book, 1977.

JACOB, Gordon. Encore for Michala. In: PETRI, Michala; HANNIBAL, Lars. CD Souvenir. Nova York: BMG Classics, 1994.

MARTINS, Áudrea. Composição Musical na Escola: Experiências no universo contemporâneo e tecnológico. In: Anais do XVIII Congresso Nacional da Associação Brasileira de Educação Musical (ABEM), 2009. Londrina, 2009.

MATTOS, Fernando Lewis de. Sonetos de Amor e Morte. In: CUERVO, Luciane. CD Sonetos de Amor e Morte. Porto Alegre: FUMPROARTE, 2002, encarte.

NERUDA, Pablo. Veinte poemas de amor y una canción desesperada. In: NERUDA, Pablo. Cien sonetos de amor. Barcelona: Plaza e Janés, 1999. (1ª. Edição em 1924).

O ́KELLY, Eve. The Recorder Today. Londres: Cambrige University Press, 1990.

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Published

2012-12-10

How to Cite

Cuervo, Luciane da Costa. 2012. “Sonnets of Love by Adami, for Recorder and Piano: Analysis and Performance”. Per Musi, no. 26 (December):1-11. https://periodicos.ufmg.br/index.php/permusi/article/view/40053.

Issue

No. 26 (2012): General Topics

Section

Articles in Portuguese/Spanish

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