Lyrics, melody, arrangement
elements in tension in Favela by Antonio Carlos Jobim and Vinícius de Moraes
Keywords:
Brazilian popular song, Samba, Slums in Rio de Janeiro, Bossa Nova, Tom Jobim, Vinícius de MoraesAbstract
Records have made easier to think over a musical issue as a document, not exclusively as an aesthetic object. Through song recordings it is possible to decompose, recompose, analyze, extract components, etc., and most of all consider them as belonging to a vast social net. Putting together lyrics, melody and arrangement poses the question of classifying genres. Musical arrangements, as a kind of song frame, can break apart the former sense of the combination lyrics/melody. Some recordings of O morro não tem vez by Tom Jobim and Vinicius de Moraes disclose contradictions and tensions in what is called Bossa Nova and make it a permanent question.
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References
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WELDING, Pete. Antonio Carlos Jobim. Texto na contracapa do disco. Elenco ME-9, 1963.
Discografia
BR6. BR6. Biscoito Fino, 2003.
GARRAFIEIRA. Garrafieira. Biscoito Fino, 2004.
JOBIM, Antonio Carlos. Antonio Carlos Jobim. Elenco ME-9, 1963.
_____. Antonio Carlos Jobim, the composer of Desafinado plays. Verve, 1963.
_____. The Wonderful World of Antonio Carlos Jobim. Warner WS 1611, [1965].
_____. Antonio Carlos Jobim com Nelson Riddle e sua orquestra. Elenco MEV06, 1965.
REGINA, Elis. No fino da bossa - ao vivo – vol.1. Cd- Velas BR - 11-V030.V1, 1994.
RODRIGUES, Jair. O samba como ele é. Lp Philips (P 632.162 L), 1963.
_____. 500 anos de folia – vol.2. Trama T500/196-2. Cd, 2000.
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