Imagem em movimento e movimento da imagem
vídeoarte na coleção de Regina Vater
DOI:
https://doi.org/10.35699/2238-2046..15480Keywords:
video art, Regina Vater, artist’s collectionAbstract
The history of video art in Brazil and its interface with installations projects, work in progress, documentary and other poetic propositions demands an accurate research of artist’s collections whose had produced, mainly, in the decades of 1960 to 1980. Regina Vater was pioneer at the use of new technologies as an artistic language in Latin American; his private collection establishes itself as a major source of research on this kind of production and about how art was uttered within this historical context. This article is part of doctoral thesis Comigo ninguém pode: a voz e o lugar de Regina Vater.
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References
DUBOIS, Philippe. Movimentos improváveis: o efeito cinema na arte contemporânea. Rio de Janeiro: Centro Cultural Banco do Brasil, 2003. 167 p. Catálogo de Exposição. HOLLANDA, Heloísa. Impressões de viagem: CPC, vanguarda e desbunde - 1960/1970. 2ª ed. São Paulo: Brasiliense, 1980. MACHADO, Arlindo (org). Made in Brasil: três décadas de vídeo brasileiro. São Paulo: Iluminuras, 2007. MERLEAU-PONTY, Maurice. O olho e o espírito. São Paulo: Cosac&Naif, 2013. PECCININI, Daisy V. M. (coord). Arte novos meios/multimeios: Brasil 70/80. São Paulo: Fundação Armando Álvares Penteado, 1985.
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