A.R.T.E.² threads interwoven in the sea of tales
a creativity workshop on shape – ethical/aesthetical propositions in outreach actions
DOI:
https://doi.org/10.35699/2237-5864.2021.25211Keywords:
Education, Art, Culture, Extramural activities, SocietyAbstract
In activities developed in the projects Mar de Histórias and A.R.T.E.2, the perception of the line is viewed/analyzed in its poetic possibilities, as a compositional element and in different supports. The experimentation started in regular undergraduate classes, in the discipline Creation of Shape, generated proposals for practices with the Creativity Workshop on Shape, by dealing with the use of the line by different artists, throughout the history of art, applied in the Center for Mathematical and Nature Sciences (CCMN) of the Federal University of Rio de Janeiro (UFRJ).
References
ANJOS, Moacir. A cidade o desenho nas obras de Lygia Pape e Artur Barrio. Rio de Janeiro: Conncinitas, 2011.
ARGAN, G. C. Arte Moderna: do iluminismo aos movimentos contemporâneos. São Paulo: Companhia de Letras, 1992.
ARRUDA, Tereza de. Exposição As linhas da vida, de Shiahu Shiota. In:Artsoul - marketplace de arte contemporânea, 2020. Disponível em: <https://artsoul.com.br/revista/eventos/exposicao-linhas-da-vida-de-chiharu-shiota>. Acesso em: 2020.
BELTRÃO, Catherine. Esculturas cinéticas de Théo Jansen. In: ArtenaRede, 14 maio 2016. Disponível em: <http://artenarede.com.br/blog/index.php/a-arte-cinetica-de-theo-jansen/>. Acesso em: 16 jun. 2021.
FERRAZ, Marcos Grinspum. Instalação de Edith Derdyk cria tramas, conexões e tessituras no Sesc Ipiranga. In:Artes Brasileiros, 3 abr. 2019. Disponível em: <https://artebrasileiros.com.br/topo/instalacao-de-edith-derdyk-cria-tramas-conexoes-e-tessituras-no-sesc-ipiranga/>. Acesso em 16 jun. 2021.
DERDYK, Edith. Catálogo da exposição Moiras. São Paulo: SESC, 2019.
FLUSSER, Vilém. O universo das imagens técnicas: elogio da superficialidade. São Paulo: Annablume, 2008.
GORINI, Katia Correia. Memórias do forno Monumento: arte cerâmica imbricada à vida cotidiana. 2010. 126 f. Dissertação (Mestrado em História e Crítica da Arte) – Escola de Belas Artes, Universidade Federal do Rio de Janeiro, Rio de Janeiro, 2010.
MACDOWELL, Ana Cecília Mattos. Instalações Multimídia: coexistência do espaço físico e virtual. 2003. Dissertação (Mestrado em Artes) – Instituto de Artes, Universidade de Brasília, Brasília, 2003.
NOGUEIRA, Aurélio Antônio Mendes. Coletânea de artigos: arte e arquitetura. Rio de Janeiro: E-book EBA/UFRJ, 2019.
NOGUEIRA, Aurélio Antônio Mendes; GORNI, Katia Correia; LIMA, MACDOWELL, Ana Cecília Mattos; Maria da Graça Muniz. O A.R.T.E.2 navegando no Mar de Histórias: oficinas de arte, extensão universitária e sociedade. Rio de Janeiro: E-book, 2020.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Aurelio Antonio Mendes Nogueira
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
