Instances of urban artistic interventions in Sala de Estar and Casa Pública projects
DOI:
https://doi.org/10.35699/2238-2046.2023.45500Keywords:
public art, art intervention, communityAbstract
This paper analyzes and establishes a parallel between the artistic project Sala de Estar, an artistic occupation carried out in public space organized by Mariana Paraizo in 2018 and 2020 with the collaboration of several artists, and the project of artistic interventions Casa Pública, directed by Mariana Paraizo and Mery Horta, to be held in 2023, with artistic works by the authors and Ana Hortides, André Vargas and Rafael Amorim. Aspects of similarity and difference in the elaboration of the two projects are addressed in this text, in the light of their poetic, para-institutional or clandestine conditions, in order to reflect on the handling of the imminent interventions and public art in general.
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