Red
audacity, energy, trust
DOI:
https://doi.org/10.35699/2238-2046.2024.51643Keywords:
red, performance, modernism, brasíliaAbstract
“Vermelha” consisted of a monumental parade through Three Powers Square, in Brasília. By
successively placing a red flag in front of the walk, like a carpet, we tried to reach Planalto’s Palace. After it, we covered the bust of Israel Pinheiro, engineer, and first president of the “Companhia Urbanizadora da Nova Capital” (Novacap). The performance stresses the alleged modern, aseptic, and abstract construction of society through the visceral revolutionary power of red, as a political and pictorial gesture that questions the colonizing project that gave rise to Brasília.
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Copyright (c) 2024 Rafael da Escóssia Lima, Yana Tamayo Sotomayor
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