EXPERIÊNCIAS VIVIDAS EM DANÇA
ARTE E RELACIONAMENTO CORPORIFICADO
Keywords:
dance, embodiment, relationshipAbstract
To understand aspects of the interactions between higher education dance teachers and their students, this study is guided by hermeneutic phenomenology, experiential research and the biographical interpretative method. The category of analysis "Embodied Interactions" presents descriptions of relational intentionality and specific exchanges – about feelings and bodily states – that dance in a continuum whose poles are a strong connection and 'missing connection.' The results suggest there is a
need to discuss all aspects of the phenomenon of the interaction between art teachers and students, particularly the education of body states and emotions, intrinsic to dance education, making this a challenging theme for education in general.
References
BOND, K. E.; ETWAROO, I. “If I really see you…”: Experiences of identity and difference in a higher education setting. In: POWELL, M. C.; MARCOW-SPEISER, V. (Eds.), The arts, education and social change: Little signs of hope. New York: Peter Lang, 2005. p. 87-99.
BOND, K. E.; RICHARD, B. “Ladies and gentlemen: What do you see? What do you feel?” A story of connected curriculum in a third grade dance education setting. In: OVERBY, L. Y.; LEPCZYK, B. (Orgs.). Dance Current Selected Research. Brooklyn, New York: AMS Press, 2005. v. 5, p. 85-133.
BOND, K. E.; STINSON, S. W. “I feel like I’m going to take off!”: Young people’s experiences of the superordinary in dance. Dance Research Journal, v. 32, n. 2, p. 52-87, 2000/01.
BOND, K.. Introduction to Experiential Inquiry. Slides and Lecture, Course Meaning in Dance. Philadelphia, Temple University, 2003.
BRENNAN, T.. The Transmission of Affect. Itaca: Cornell University, 2004.
DENZIN, N. K. Interpretive biography. Newbury Park: Sage, 1989.
FREIRE, P. Pedagogy of the oppressed. 20th ed. New York: Continuum, 1993.
GLESNE, C. That rare feeling: Re-presenting research through poetic transcription.” Qualitative Inquiry, v. 2, n. 3, p. 202-221, 1997.
HERMAN, L.; MANDELL, A. From teaching to mentoring: principle and practice, dialogue and life in adult education. New York: Routledge, 2004.
JANESICK, V. J. The choreography of qualitative research design: Minuets, improvisations, and crystallization. In: DENZIN, N. K.; LINCOLN, Y. S. (Orgs.). Handbook of qualitative research. 2. ed. Thousand Oaks: Sage, 2000. p. 379-400.
LABANYI, J. Doing Things: Emotion, Affect and Materiality. Journal of Spanish Cultural Studies. v. 11, n. 3-4, p. 223-233, 2010. Disponível em: <http://www.tandfonline.com/toc/cjsc20/11/3-4>. Acesso em: 03 mar. 2017.
MANS, M. The Changing Body in Southern Africa: a Perspective from Ethnomusicology. In: BRESLER, L. (Org.). Moving minds: Towards embodied teaching and Learning. London: Kluwer Academic Publishers, 2004. p. 77-96.
MARKULA, P. Tuning into One's Self: Foucault's Technologies of the Self and Mindful Fitness. Sociology of Sport Journal, v. 3 n. 21, p. 302-321, 2004.
MOUSTAKAS, C. Heuristic research: Design, methodology, and applications. Thousand Oaks, CA: Sage Publications, 1990.
PARINI, J. The art of teaching. New York: Oxford University Press, 2005.
POLK, J. A. Traits of effective teachers. Arts Education Policy Review, v. 4 n.107, p. 23-29, 2006.
RUMI, J. al-Din. The Masnavi, book one. New York: Oxford University Press, 2004.
SHUSTERMAN, R. Somaesthetics and education: Exploring the terrain. In: BRESLER, L. (Org.). Moving minds: Towards embodied teaching and Learning. London: Kluwer Academic Publishers, 2004. p. 51-60.
STINSON, S. W. Research as choreography. Research in Dance Education v. 2 n. 7, p. 201-209, 2006.
___________. My body/my self. In: BRESLER, L. (Org.)., Knowing bodies, moving minds: Towards embodied teaching and learning London: Kluwer Academic Publishers, 2004. p. 153-167.
VIEIRA, A. P. The nature of pedagogical quality in higher dance education. 2007.
f. Tese (PhD. em Dança) - Temple University Philadelphia. Philadelphia, 2007.Disponivel em: <https://ufv.academia.edu/AVieira>. Acesso em: 02 mar. 2017.
VAN MANEN, M. The tone of teaching. Ontario: Alhthouse Press, 2002.
_______________. Researching lived experience: Human science for an action sensitive pedagogy (2nd ed). Toronto: Transcontinental Printing Inc., 1997.
____________. The tact of teaching: The meaning of pedagogical thoughtfulness. Ontario: Alhthouse Press, 1991.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.