Joseph Beuys e Giuseppe Penone: Aproximações Entre Arte e Política
Abstract
A partir de uma distância reivindicada pelo escultor Giuseppe Penone em relação à uma possível influência do artista alemão Joseph Beuys, ponderamos quais são as evidências demonstradas pelas próprias obras acerca de aproximações entre as pesquisas dos dois artistas, no que tange a materialidade e formalidade das produções para, assim, delinearmos aquilo que ambos teriam de definitivamente comum, ou seja, um retorno ao sensível como um modo de fazer arte política.
Downloads
Published
2013-11-29
How to Cite
CÂMARA, M. A. Joseph Beuys e Giuseppe Penone: Aproximações Entre Arte e Política. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 38–48, 2013. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15635. Acesso em: 17 jul. 2024.
Issue
Section
Articles - Thematic section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.
| 
