Coleção e arquivo como prática coletiva
A narrativa, a retórica e o semiológico
Keywords:
Collection, museum, memory, indexes, semiophorAbstract
This paper aims to discuss the process of organization of the collections in the course of the 19th and 20th centuries through the systematization of relations of narrative, rhetoric and semiology. The endemic insertion of time and space, as itinerary or as a strategy, manages concepts of memory and of authorial projection. The structural principles linked to collective values found the proposals and protocols of selection, acquisition, organization, and display of objects such as image and semiophor of colportage of relational space under the optics of the Collections.
References
BENJAMIN, Walter. O Colecionador. In: Passagens. Belo Horizonte: Editora da UFMG, 2009, p.237-247.
CAUQUELIN, Anne. Introdução à arte contemporânea. Rio de Janeiro: Martins Fontes, 2005.
DESCAMPS, C. Ideias filosóficas contemporâneas na França. Rio de Janeiro: Zahar, 1986.
DIDI-HUBERMAN, Georges. A Pintura encarnada. São Paulo: Escuta, 2012.
FOUCAULT. As palavras e as coisas. São Paulo: Martins Fontes, 1995.
FOUCAULT. Isto não é um cachimbo. Rio de Janeiro: Paz e Terra, 1987.
FRONER, Yacy-Ara. Estruturalismo: por um sistema de significações do sensível. In: Anais do XXX do Colóquio Brasileiro de História da Arte, Rio de Janeiro: CBHA, 2010, p. 1-14.
GUASCH, Anna Maria. El photoarchivo em las prácticas literárias, historiográficas y artísticas. In: Arte y Archivo, 1920-2010: genealogías, tipologías Y discontinuidades. Madrid: Akal, 2011, p. 21-44.
LÉVI-STRAUSS, Claude. Tristes trópicos. São Paulo: Companhia das Letras, 1996.
POMIAN, Krzysztof. Coleções. In: Memória/História. Porto: Imprensa Nacional/Casa da Moeda, 1984, p.51-86. (Enciclopédia Einaudi, vol.1).
PROUST, Marcel. Em busca do tempo perdido. São Paulo: Ediouro, 2002. (vol. 1).
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.