Improvisação como possibilidade de reinvenção da dança e do dançarino
Keywords:
Improvisation, DAnce, EmbodimentAbstract
Improvisation in dance legitimized itself as a powerful pedagogical procedure, choreography and scenic language. But to what extent this practice is limited to the free combination of codified steps, and to what extent it is viewed as a possibility of reinventing the dance or even the dancer himself?
References
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GIL, Jose. Movimento Total. O Corpo e a Dança. São Paulo: Iluminuras, 2004.
________. O Corpo do Bailarino. Conferência apresentada na Universidade de Columbia, Nova Iorque, em seminário sobre Gilles Deleuze e Felix Guattari, em abril de 1999.
NOVARINA, Valère. Carta aos Atores. Trad. Ângela Leite Lopes – Rio de Janeiro: 7letras, 2005.
OIDA, Yoshi e MARSHALL, Lorna. O Ator Invisível. Editora Beca, 2001.
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