Improvisação como possibilidade de reinvenção da dança e do dançarino

Authors

Keywords:

Improvisation, DAnce, Embodiment

Abstract

Improvisation in dance legitimized itself as a powerful pedagogical procedure, choreography and scenic language. But to what extent this practice is limited to the free combination of codified steps, and to what extent it is viewed as a possibility of reinventing the dance or even the dancer himself?

Author Biography

Marina Elias, Universidade Federal do Rio de Janeiro (UFRJ), Brasil

Atriz, diretora e coreógrafa. Professora do Departamento de Arte Corporal da Universidade Federal do Rio de Janeiro - UFRJ. Doutora e Meste em Artes pela UNICAMP. Bacharel em Artes Cênicas pela mesma universidade. Morou em Calgary, no Canada, onde estudou improvisação com Keith Johnstone.

References

BOGART, Anne. LANDAU, Tina. The ViewPoints Book: A Pratical Guide to Viewpoints and composition. New York: Theatre Communications Group, 2005.

GIL, Jose. Movimento Total. O Corpo e a Dança. São Paulo: Iluminuras, 2004.

________. O Corpo do Bailarino. Conferência apresentada na Universidade de Columbia, Nova Iorque, em seminário sobre Gilles Deleuze e Felix Guattari, em abril de 1999.

NOVARINA, Valère. Carta aos Atores. Trad. Ângela Leite Lopes – Rio de Janeiro: 7letras, 2005.

OIDA, Yoshi e MARSHALL, Lorna. O Ator Invisível. Editora Beca, 2001.

Downloads

Published

2015-11-26

How to Cite

ELIAS, M. Improvisação como possibilidade de reinvenção da dança e do dançarino. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 173–182, 2015. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15689. Acesso em: 16 aug. 2024.

Issue

V.5, N.10: nov.2015 - apr.2016

Section

Dossiê

License

Authors who publish in this journal agree to the following terms:

    1. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
    2. Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
    3. Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
    4. It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.