CHANBARA
HISTÓRIA E HONRA NO CINEMA DE SAMURAI JAPONÊS
Keywords:
Cinema, Japan, SamuraiAbstract
The samurai film is an important genre in Japanese cinema, being present in films of that country throughout the history of Japan’s cinematic art. This article deals with the chanbara film, term by which the samurai film is known in its place of origin. The text addresses the characteristics and the history of this film genre in Japan since its inception in the late nineteenth century to the present day. This study objective is to get a better understanding of the genre and its peculiarities.
References
ANDERSON, Joseph L.; RICHIE, Donald. The Japanese Film – Art and Industry, New Jersey: Princeton University Press, 1982. p. 440-443.
BERRA, John. Directory of World Cinema Japan, Bristol: Intellect, 2010.
BORDWELL, David. Ozu and the Poetics of Cinema, New Jersey: Princeton University Press, 1988. p. 17-30.
FERIBERG, Freda. Utamaro and his Five Women. In: Senses of Cinema, 2003. Disponível em: http://sensesofcinema.com/2003/cteq/utamaro/>. Acessado em: 15 jun. 2015.
GORDON, Andrew. A Modern History of Japan: From Tokugawa Times to the Present, Oxford: Oxford University Press, 2003. p. 9-11; 161-162.
KAKESHI, Hisao; TAMORI, Ikuhiro; SCHOURUP, Lawrence. Dictionary of Iconic Expressions in Japanese: Volume I: A – J , New York: Mouton de Gruyter, 1996.
MCDONALD, Keiko I. Japanese Classical Theater in Films, Toronto: Associated Unversity Presses, 1994.
MES, Tom; SHARP, James. The Midnight Eye Guide to New Japanese Film, California: Stone Bridge Press, 2005. p. 158-171; 180-196.
HOWE, Justin. Chambara / Samirai Cineam. In: BERRA, John. Directory of World Cinema Japan, Bristol: Intellect, 2010. p. 84-87.
NAGIB, Lúcia. Nascido das Cinzas – Autor e Sujeito nos Filmes de Oshima, São Paulo: Editora da Universidade de São Paulo, 1995. p. 145-163.
NAITO, Takashi; GIELEN, Uwe. Tatemae and Honne: A Study of Moral Relativism in Japanese Culture. In: GIELEN, Uwe; ADLER, Leonore; MILGRAN, Norman, Psyvhology in International Perspective: 50 Years of the International Council of Psychologists, Amsterdan: Swets & Zeitlinger, 1992.p. 163-134.
RICHIE, Donald. Japanese Cinema: Film Style and National Character, New York: Anchor Books, 1971.
_______. A Hundred Years of Japanese Cinema, Tokyo: Kodansha, 2005.
THORNE, Roland. Samurai Films, England: Kamera Books, 2008.
THORNTON, S. A. The Japanese Period Film: A Critical Analysis, North Carolina: McFarland & Company, Inc., 2008.
WADA-MARCIANO, Mitsuyo. Nippon Modern – Japanese Cinema of the 1920s and 1930s, Honolulu: University of Hawai’I Press, 2008.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under the a Creative Commons Attribution-NonCommercial 4.0 International License that permits sharing of the work with acknowledgement of authorship and initial publication in this journal;
- Authors are permitted to enter into additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., the Creative Commons Attribution License).
- Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their home page) at any point before or during the editorial process, as this may generate productive changes as well as increase the impact and citation of the published work.
- It is the responsibility of the authors to obtain written permission to use in their articles materials protected by copyright law. Revista PÓS is not responsible for copyright breaches made by its contributors.