O realismo crítico na arte russa: Vassíli Peróv

Authors

  • Ludmila Menezes Zwick Universidade de São Paulo (USP), Brasil

Keywords:

Russian art, Vasily Perov, Critical Realism

Abstract

The image that the artist had of himself is modified from his relationship with the other. The expressive biography of artists as Vasily Perov became permeated by the apprehension of the other. Ordinary people find their place in Russian painting and this brings out the Critical Realism as a pictorial genre.

Author Biography

Ludmila Menezes Zwick, Universidade de São Paulo (USP), Brasil

Mestre em estética e história da arte pela Universidade de São Paulo e doutoranda em Cultura e Literatura russa pela mesma.

References

Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Norton, 1958.

Berenson, Bernard. One Year’s Reading for Fun. New York: Alfred A. Knopf, 1960.

Emerson, Caryl. The Cambridge Introduction to Russian Literature. New York: Cambridge University Press, 2008.

Hogarth, William. The Works of William Hogarth. London: Printed for Baldwin and Cradock, G. Woodfall, 1835.

Hughes, Lindsey. Cultural and Intellectual Life. In: Perrie, Maureen (Ed.). The Cambridge History of Russia: From Early Rus’ to 1689. New York: Cambridge University Press, 2006. V. 1, p. 640-662.

Leek, Peter. Russian Painting. New York: Parkstone, 2005.

Published

2016-05-30

How to Cite

ZWICK, L. M. O realismo crítico na arte russa: Vassíli Peróv. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, p. 120–135, 2016. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/15782. Acesso em: 16 aug. 2024.

Issue

Section

Articles - Open section