To witness violence in the work of Mapa Teatro, Colômbia
DOI:
https://doi.org/10.35699/2237-5864.2020.21576Keywords:
Living Archive, Witness, ViolenceAbstract
When Mapa Teatro laboratory of artists chooses to develop an Anatomy of violence in Colombia, the group abandons the univocality of historical documents to combine them with fake truths or sincere lies, in order to create ethnofictions which raise perspectives that do not correspond to History’s dominant narrative. I present here an approach towards some of the group’s artwork, aiming to create critical perspectives relating to coding e decoding structures of what is commonly understood as violence and its subjective implications, as well as its macropolitical manifestations.
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