Beyond the two-dimensional of the paper

The art of the blind embossing to the handmade paper in contemporary printmaking

Authors

DOI:

https://doi.org/10.35699/2237-5864.2021.25812

Keywords:

Printmaking, Papermade, Blind Embossing

Abstract

If we want to understand how the volumetric and creative possibilities of paper have been explored, it is important to study one of the artistic disciplines such as printmaking, since it was from this point of view that the artistic community began to break with the two- dimensionality of paper. Under this position, the present text aims to venture into the exercise of tracing how, through printmaking, artists experimented with paper, first using it as a medium for reproducing images, to gradually become a source of experimentation and finally, the piece of art per se. In this sense, we will start from the X century with blind embossing, to talk about the handling of paper pulp in contemporary printmaking.

References

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Published

2021-07-19

How to Cite

MÍNGUEZ-GARCÍA, H. Beyond the two-dimensional of the paper: The art of the blind embossing to the handmade paper in contemporary printmaking. PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG, Belo Horizonte, v. 11, n. 22, p. 221–239, 2021. DOI: 10.35699/2237-5864.2021.25812. Disponível em: https://periodicos.ufmg.br/index.php/revistapos/article/view/25812. Acesso em: 19 oct. 2024.

Issue

Vol. 11 No. 22: May.2021 - Aug.2021

Section

Articles - Thematic section

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Copyright (c) 2021 Hortensia Mínguez García

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