Experiences, Sculptures and Masks
DOI:
https://doi.org/10.35699/2238-2046.2024.52747Keywords:
Mask, Sculpture, Masking, Contemporary artAbstract
This paper is dedicated to the poetics of the mask, with particular emphasis on its conception and process of creation. Through the author's personal experiences and the presentation of various mask makers and contemporary artists, it discusses the visible and invisible factors present in this art that translates the desire and need for the transmutation of the human face. In this panorama, the principles of modelling span the ages, reworked as reinventions of traditional sculpture, and the reflection extends beyond the theatrical. Contemporary art presents itself as an invitation to explore the notion of extended masking, which articulates objective elements with the image of the body and the production of meanings in this hybrid territory.
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