Art and Imagination in Black Worlds by Anne Lafont
DOI:
https://doi.org/10.35699/2238-2046.2024.52767Keywords:
African diaspora, Art, PatrimonyAbstract
This review aims to expose the main issues discussed in “The art of black worlds”, a texts
compilation written by Anne Lafont. In them, the author debates, from the art history, theory and criticism perspectives, and dealing with an Afro-diasporic theoreticalmethodological logic, important aspects relating to racialization undertaken by art, thinking, and the different material exchanges undertaken in the context of the slave trade throughout the 16th and 19th centuries.
References
GILROY, Paul. O Atlântico negro: modernidade e dupla consciência. São Paulo: Editora 34; Rio de
Janeiro: Universidade Candido Mendes: Centro de Estudos Afro-Asiáticos, 2012.
LAFONT, Anne. Como a cor de pele tornou-se um marcador racial: perspectivas sobre raça a partir da
história da arte. ARS, São Paulo, v. 19, n. 42, p. 1289-1355, 2021.
LAFONT, Anne. Uma africana no Louvre. Rio de Janeiro: Bazar do Tempo, 2022.
LAFONT, Anne. A arte dos mundos negros: história, teoria, crítica. Rio de Janeiro: Bazar do Tempo,
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