Falar, ver, fabular
DOI:
https://doi.org/10.17851/2317-2096.8..77-88Palabras clave:
speech, vision, film, literature.Resumen
Resumo: Inspirado na filmografia de Jean Eustache, este ensaio focaliza seu trabalho sob os signos da fala, da visão e da fabulação, estudando, também, o romance Damien, de Lucile Laveggi, baseado na vida e nos filmes do cineasta.
Palavras-chave: fala; visão; cinema; literatura.
Abstract: Inspired on Jean Eustache’s filmography, this essay focuses on his work under the signs of speech, vision and fabulation, studying, too, the novel Damien, by Lucile Laveggi, based on the director’s life and films.
Keywords: speech; vision; film; literature.
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Referencias
BELLOUR, Raymond. L’entre-images 2. Paris: P.O.L, 1999.
BLANCHOT, Maurice. L’entretien infini. Paris: Gallimard, 1969.
LAVEGGI, Lucile. Damien. Paris: Gallimard, 2000.
NANCY, Jean-Luc. The birth to presence. Trad. Brian Holmes et al. Stanford: Stanford University Press, 1993.
SHAVIRO, Steven. The cinematic body. Minneapolis; Londres: University of Minnnesota Press, 1993. (Theory out of Bounds, v. 2).
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Derechos de autor 2001 Mauricio Salles Vasconcelos (Autor)
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