Falar, ver, fabular
DOI:
https://doi.org/10.17851/2317-2096.8..77-88Keywords:
speech, vision, film, literature.Abstract
Resumo: Inspirado na filmografia de Jean Eustache, este ensaio focaliza seu trabalho sob os signos da fala, da visão e da fabulação, estudando, também, o romance Damien, de Lucile Laveggi, baseado na vida e nos filmes do cineasta.
Palavras-chave: fala; visão; cinema; literatura.
Abstract: Inspired on Jean Eustache’s filmography, this essay focuses on his work under the signs of speech, vision and fabulation, studying, too, the novel Damien, by Lucile Laveggi, based on the director’s life and films.
Keywords: speech; vision; film; literature.
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References
BELLOUR, Raymond. L’entre-images 2. Paris: P.O.L, 1999.
BLANCHOT, Maurice. L’entretien infini. Paris: Gallimard, 1969.
LAVEGGI, Lucile. Damien. Paris: Gallimard, 2000.
NANCY, Jean-Luc. The birth to presence. Trad. Brian Holmes et al. Stanford: Stanford University Press, 1993.
SHAVIRO, Steven. The cinematic body. Minneapolis; Londres: University of Minnnesota Press, 1993. (Theory out of Bounds, v. 2).
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Copyright (c) 2001 Mauricio Salles Vasconcelos (Autor)
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