Falar, ver, fabular

Auteurs

  • Mauricio Salles Vasconcelos

DOI :

https://doi.org/10.17851/2317-2096.8..77-88

Mots-clés :

speech, vision, film, literature.

Résumé

Resumo: Inspirado na filmografia de Jean Eustache, este ensaio focaliza seu trabalho sob os signos da fala, da visão e da fabulação, estudando, também, o romance Damien, de Lucile Laveggi, baseado na vida e nos filmes do cineasta.

Palavras-chave: fala; visão; cinema; literatura.

Abstract: Inspired on Jean Eustache’s filmography, this essay focuses on his work under the signs of speech, vision and fabulation, studying, too, the novel Damien, by Lucile Laveggi, based on the director’s life and films.

Keywords: speech; vision; film; literature.

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Références

BELLOUR, Raymond. L’entre-images 2. Paris: P.O.L, 1999.

BLANCHOT, Maurice. L’entretien infini. Paris: Gallimard, 1969.

LAVEGGI, Lucile. Damien. Paris: Gallimard, 2000.

NANCY, Jean-Luc. The birth to presence. Trad. Brian Holmes et al. Stanford: Stanford University Press, 1993.

SHAVIRO, Steven. The cinematic body. Minneapolis; Londres: University of Minnnesota Press, 1993. (Theory out of Bounds, v. 2).

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Publiée

2018-03-02

Comment citer

Vasconcelos, M. S. (2018). Falar, ver, fabular. Aletria: Revista De Estudos De Literatura, 8, 77–88. https://doi.org/10.17851/2317-2096.8.77-88

Numéro

Vol. 8 (2001): Literatura & Cinema

Rubrique

Dossiê - Literatura e Cinema - E o Filme Disse: Eu Quero Ser Poema

Licence

(c) Tous droits réservés Mauricio Salles Vasconcelos (Autor) 2001

Creative Commons License

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .

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