Crime and Art: From Christ’s Crucifixion to the Attack Against the World Trade Center
DOI:
https://doi.org/10.17851/2317-2096.23.1.85-95Keywords:
crime in literature and in the other arts, crime and ideology, crime and performance artAbstract
The essay discusses crime as a recurring theme in Western art, from its beginnings to postmodern times. Starting with The Iliad, or, in Christian iconography, with the countless representations of Christ’s crucifixion, artistic creations, in literature and in the other arts, repeatedly focus on violent and criminal acts, often associated with biblical, mythological or historical references. The text contemplates the ideological motivations underlying such cultural products, as well as the “banality of evil” illustrated by certain acts presented as “art” in postmodern times.
Downloads
References
ARENDT, Hannah. Eichmann in Jerusalem: a report on the banality of evil. New York: Penguin, 2006, Kindle edition.
ADORNO, Theodor. Educação após Auschwitz. Palavras e sinais: modelos críticos. Trad. Wolfgang Leo Maar. São Paulo: Paz e Terra, 1995.
ADORNO, Theodor. O que significa elaborar o passado. Educação e emancipação. São Paulo: Paz e Terra, 1995.
BIRCH, Helen. Moving targets: women, murder, and representation. Berkeley: University of California Press, 1994.
CHARNEY, Noah. Art and crime: exploring the dark side of the art world. Westport: Praeger, 2009.
DANTO, Arthur. The abuse of beauty: aesthetics and the concept of art. Peru: Open Court, 2003.
FABRINI, Ricardo Nascimento. A arte depois das vanguardas. Campinas: Ed. Unicamp, 2002.
GALARD, Jean. La beauté à outrance, reflexions sur l’abus esthétique. Arles, Bouches- du-Rhône: Actes Sud, 2004.
GREGORIOU, Christiana. Constructing crime: discourse and cultural representations of crime and deviance. New York: Palgrave Macmillan, 2012.
HELLER, Dana. Shooting Solanas: radical feminist history and the technology of failure. Disponível em: www.jstor.org/stable/3178456. Acesso em 10 dez. 2012.
HESFORD, Victoria; Diedrich, Lisa. Feminist time against nation time: gender, politics, and the nation-state in an age of permanent war. Lanham, MD: Lexington, 2008.
HOBSBAWM, Eric. Era dos extremos. O breve século 20, 1914-1991. Trad. Marcos Santarrita. 2. ed. São Paulo: Companhia das Letras, 1994.
MENDES JÚNIOR, Luiz Alberto. Memórias de um sobrevivente. São Paulo: Companhia das Letras, 2001.
MIRANDA, Ana. Arte e crime em rota de convergência. Folha de S.Paulo, Mais!, 17 mar. 2002, p. 3.
SMITH, Winston. Art crime. San Francisco: Last Gasp, 1999.
TANNER, Laura E. Holding on to 9/11: the shifting grounds of materiality. PMLA, v. 127, n. 1, Jan. 2012, p. 58-76. Disponível em: http://pt.wikipedia.org/w/index.php?title=Valerie_Solanas. Acesso em: 10 dez. 2012.
Downloads
Published
Issue
Section
License
Copyright (c) 2013 Solange Ribeiro Oliveira (Autor)

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).