2066, by Roberto Bolaño, and Waltz with Bashir, by Ari Folman: Should the Invisible Be Written? Should the Unwritable Be Shown?
DOI:
https://doi.org/10.17851/2317-2096.24.2.233-242Keywords:
2666, Bolaño, Waltz with Bashir, Ari Folman, violence, crimeAbstract
This essay presents an embedded reading of two different texts and two sorts of medias: a literary one – Roberto Bolaño’s novel 2666, and a film – Ari Folman’s Waltz with Bashir, which main subject is the language of violence and crime. They both deal with regions of tension and intense conflict: the border between Mexico and the US and the Middle East.
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Copyright (c) 2014 Maria Aparecida Oliveira Carvalho (Autor)
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