Memory of forced displacement
Women, nature and violence in narratives of uprooting from and to Spain and Argentina
DOI:
https://doi.org/10.35699/2317-2096.2023.40671Keywords:
Civil War, Dictatorschips, Rodolfo Luna Almeida, María Rosa Lojo, María García Campelo, Marisa González de OleagaAbstract
There is a narrative developed since the 21st century about experiences of women who have had to move from one country to another due to contexts of state violence both in Spain and Argentina during the 20th century. This work is focused on the analysis of four conjunctions between nature and uprooting in which a forced displacement underlies or takes place. The corpus is constituted by the following literary texts: Marinka, una rusa niña vasca, by Rodolfo Luna Almeida, Solo queda saltar, by María Rosa Lojo, Estuvimos cantando, by María García Campelo and, within the volume Transterradas. El exilio infantil y juvenil como lugar de memoria, stories from “En tierra de nadie / Todo lo que era mío”, by Marisa González de Oleaga.
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GARCÍA CAMPELO, María. Estuvimos cantando. Buenos Aires: Zona borde, 2015.
GONZÁLEZ DE OLEAGA, Marisa. En tierra de nadie / todo lo que era mío. In: GONZÁLEZ DE OLEAGA, Marisa; MELONI GONZÁLEZ, Carolina; SAIEGH DORÍN, Carola. Transterradas. El exilio infantil y juvenil como lugar de memoria. Temperley: Tren en movimiento, 2019. p. 21-97.
LOJO, María Rosa. Solo queda saltar. Buenos Aires: Santillana, 2018.
LUNA ALMEIDA, Rodolfo. Marinka, una rusa niña vasca. Buenos Aires: Planeta, 2017.
MARCIAL. In: REAL ACADEMIA ESPAÑOLA. Diccionario de la lengua española. versión 23.6. Madrid: Real Academia Española, c2022. Disponible en: https://dle.rae.es/marcial?m=form. Consultado en: 25 jul. 2022.
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ORTUÑO MARTÍNEZ, Bárbara. Redefiniendo categorías. Emigrantes y exiliados en los flujos de posguerra desde España hacia Argentina (1946–1956). Signos Históricos, Ciudad de México, v. XVIII, n. 35, p. 66-101, 2016. Disponible en: https://signoshistoricos.izt.uam.mx/index.php/historicos/article/view/478. Consultado en: 25 jul. 2022.
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Copyright (c) 2022 Mariela Sánchez (Autor)
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