A grande arte: palavra e imagem
DOI:
https://doi.org/10.17851/2317-2096.8..42-49Keywords:
detective novel, Brazilian motion picture, market.Abstract
Resumo: No romance A grande arte, de Rubem Fonseca, a tensão entre as exigências do mercado editorial e a autonomia da arte resolve-se pela adoção de uma estética ambígua. No filme A grande arte, de Walter Salles Junior, a tentativa de preservar esta ambigüidade, realizada de maneira superficial, desequilibra a obra.
Palavras-chave: romance policial; cinema brasileiro; mercado.
Absctract: In the novel A grande arte, by Rubem Fonseca, the tension between the demands of the editorial market and the autonomy of art is resolved by the adoption of ambiguous aesthetics. In Walter Salles Junior’s motion picture, A grande arte, the rather superficial attempt to maintain that ambiguity jeopardizes the balance of the work.
Keywords: detective novel; Brazilian motion picture; market.
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References
BARTHES, Roland. A câmara clara. Lisboa: Edições 70, 1981.
BOURDIEU, Pierre. As regras da arte. gênese e estrutura do campo literário. São Paulo: Companhia das Letras, 1996.
CORTÁZAR, Julio. As armas secretas. Rio de Janeiro: José Olympio, 1994.
FONSECA, Rubem. A grande arte. Rio de Janeiro: Francisco Alves, 1983.
FONSECA, Rubem. Vastas emoções e pensamentos imperfeitos.
FONSECA, Rubem. O caso Morel. Rio de Janeiro: Artenova, 1973.
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Copyright (c) 2001 Vera Lúcia Follain de Figueiredo (Autor)
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