Crime and Art: From Christ’s Crucifixion to the Attack Against the World Trade Center

Authors

  • Solange Ribeiro Oliveira Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.17851/2317-2096.23.1.85-95

Keywords:

crime in literature and in the other arts, crime and ideology, crime and performance art

Abstract

The essay discusses crime as a recurring theme in Western art, from its beginnings to postmodern times. Starting with The Iliad, or, in Christian iconography, with the countless representations of Christ’s crucifixion, artistic creations, in literature and in the other arts, repeatedly focus on violent and criminal acts, often associated with biblical, mythological or historical references. The text contemplates the ideological motivations underlying such cultural products, as well as the “banality of evil” illustrated by certain acts presented as “art” in postmodern times.

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References

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Published

2013-04-30

How to Cite

Oliveira, S. R. (2013). Crime and Art: From Christ’s Crucifixion to the Attack Against the World Trade Center. Aletria: Revista De Estudos De Literatura, 23(1), 85–95. https://doi.org/10.17851/2317-2096.23.1.85-95

Issue

Section

Dossiê - Crimes, Delitos e Transgressões - De Crimes e Delitos