Barks on the Paper: Memories About Tearing
DOI:
https://doi.org/10.17851/2317-2096.24.2.65-75Keywords:
Didi-Huberman, history, photography, traceAbstract
The essay tries to demonstrate how the author, George Didi-Huberman, in its work Écorces (barks), presents his own experience of Traces (W. Benjamin) and also his own interpretation of the laceration in the Auschwitz-Birkenau concentration camps. His work is about a narrative of ruins through words and images (photography). Such writing is caught in between historic research and autobiographic literature.
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Copyright (c) 2014 Vera Casa Nova (Autor)
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