Ángel González: the Verb as Flesh, the Verb as Stone
DOI:
https://doi.org/10.17851/2317-2096.27.2.225-240Keywords:
ekphrasis, Ángel González, poetry and art, José HernándezAbstract
This essay investigates the relation between the discussion on the concept of “sister arts” and the view that Ángel González’s poetry re-elaborates some of the issues presented especially in two of his poems: “Palabras desprendidas de pinturas de José Hernández” (Procedimientos narrativos, 1972) and “El Cristo de Velázquez” (Prosemas o menos, 1985).
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MAKRIS, Mary. Collage as Metapoetry in Ángel González’s “Palabras desprendidas de pinturas de José Hernández”. Anales de la Literatura Española Contemporánea, Boulder, Colorado, v. 18, n. 1-2, p. 157-172, 1993.
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PAYERAS GRAU, María. Palabras desprendidas de las artes plásticas. In: PAYERAS GRAU, María. El sueño de la realidad: poesía y poética de Ángel González. Madrid: La página ediciones, 2009. p. 117-120.
RIFFATERRE, Michael. La ilusión de la écfrasis. In: MONEGAL, A. (Org.). Literatura y pintura. Madrid: Arco Libros, 2000. p. 161-183.
SÁNCHEZ-HARGUIDEN, Ángel. José Hernández: “En mis cuadros reflejo la constancia temática de la historia”. El País, 8 nov. 1978. Disponible en: http://elpais.com/diario/1978/11/08/cultura/279327605_850215.html. Acceso en: 18 ago. 2015.
VELÁZQUEZ, Diego de. El Cristo crucificado. Óleo sobre lienzo, 248 x 169 cm. Hacia 1632. Madrid: Museo del Prado. Disponible en: https://www.museodelprado.es/coleccion/obra-de-arte/cristo-crucificado/72cbb57e-f622-4531-9b25-27ff0a9559d7. Acceso en: 14 ago. 2017.
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Copyright (c) 2017 Margareth dos Santos (Autor)
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