Among Bars, Museums and Cemeteries
Heterotopias of Resistance in Bacurau
DOI:
https://doi.org/10.35699/2317-2096.2021.33561Keywords:
Bacurau, Narrative Space, Public Sphere, Precarity, Alliance, HeterotopiaAbstract
The objective of this article is to situate the film Bacurau in an aesthetic, constantly delineating in contemporary Brazilian cinema, representing peripheral territories in which space consists of a heterotopia conditioning the viability of the characters, whose shared precarity provides their alliance in public sphere. Two issues are also addressed: first, the coextension between the private and public spheres in the formation of a convergent space of appearance and struggle; then, the relationship between social, economic and gender identity criteria in the alliance between differently precarious characters. Concepts such as viability, convergent space, precariousness and appearance, by Judith Butler (2018), and heterotopia, by Michel Foucault (2013), support the analyzes.
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Copyright (c) 2021 Júnior Vilarino (Autor)
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