A figuração ambígua e indefinida da identidade sexual na obra de Tennessee Williams

Authors

Keywords:

American Dramaturgy, American Theatre, Tennessee Williams, Homosexuality, LGBTQIA , Expressionism

Abstract

This work analyzes nine plays from Tennessee Williams’ entire career where sexual identity figuration is ambiguous, and the character's homosexuality is not accurate. Behaviors, postures, gestures and speeches are pointed out that show a mismatch with the masculinity and femininity conventions surrounded by culture and tradition. It is identified that this characterization is determined by a profound lyrical description that refers to expressionism. The characters, therefore, are investigated not in a pragmatic way, but as this poetics develops it: each one with an ambiguous weave that displaces the heteronormative character with metaphors, isolating it from the traditional group, creating a private and oppressed world from outside. As a conclusion, the ambiguity presents a critical socio-political discussion about gender aspects, revealing a playwright under aspects little analyzed in Brazil.

Downloads

Download data is not yet available.

Author Biography

Luis Marcio Arnaut de Toledo, Universidade de São Paulo - USP

Doutor em Artes pela Escola de Comunicação e Artes - ECA -USP em Teoria e Prática do Teatro, também é especialista em Teatro-Educação, licenciado em Teatro, engenheiro e Mestre em engenharia.

Dramaturgista, tradutor e revisor da Cia. Triptal de São Paulo.

Convidado especial do Provincetown Tennessee Williams Theater Festival na cidade de Provicetown, nos Estados Unidos, para apresentar o panorama da obra de Tennessee Williams no Brasil em 2019 e 2020 e representar o Brasil no Festival.

Autor do livro Tennessee Williams: Algo não dito, 2017, editora Giostri e Nem loucas, Nem reprimidas, 2022, editora Alameda.

Com mais cinco livros publicados, é ator, educador e dramaturgo.

References

CARLSON, Marvin. Teorias do teatro – estudo histórico-crítico, dos gregos à atualidade. Tradução de Gilson César Cardoso de Souza. São Paulo: Fundação Editora da UNESP, 1997.

DORFF, Linda. Disfigured Stages: The Late Plays of Tennessee Williams, 1958-1983. 1995. Tese (Doctor of Philosophy) – University of New York, New York, 1995.

HOUCHIN, John. Censorship of the American Theatre in the Twentieth Century. Cambridge: Cambridge University Press, 2003.

MEAD, Margaret. Sexo e temperamento. Tradução de Rosa Krausz. São Paulo: Perspectiva, 2000.

MEDEIROS, Antonio Gerson Bezerra de. Poetas visionários: a presença de Hart Crane na dramaturgia de Tennessee Williams. Dramaturgia em Foco, Juazeiro, v. 5, n. 1, p. 19-33, 2021. Disponível em: https://www.periodicos.univasf.edu.br/index.php/dramaturgiaemfoco/article/view/1384. Acesso em: 22 maio 2021.

OLSEN, Christopher. Off-off-Broadway – The Second Wave: 1968-1980. Breinigsville: CPSIA, 2011.

PAVIS, Patrice. Dicionário de teatro. Tradução de Maria Lúcia Pereira et al. São Paulo: Perspectiva, 2015.

QUINN, Vincent. Hart Crane. New York: Twayne Publishers, 1963.

SAVRAN, David. Communists, Cowboys, and Queers – The Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams. Minneapolis: University of Minnesota, 1992.

SOVA, Dawn B. Banned Plays – Censorship Histories of 125 Stage Dramas. New York: Facts on File, 2004.

SZONDI, Peter. Teoria do drama moderno [1880-1950]. Tradução de Raquel Imanishi Rodrigues. São Paulo: Cosac Naify, 2011.

THE CELLULOID Closet. Direção: Rob Epstein; Jeffrey Friedman. Produção: Rob Epstein e Jeffrey Friedman. [S. l.]: YouTube, 2019. (107 min). Disponível em: https://www.youtube.com/watch?v=I-TUF_GN_r8. Acesso em: 2 jun. 2021.

WILLIAMS, Tennessee. 27 Wagons Full of Cotton and Other One-act Plays. New York: New Directions, 1966.

WILLIAMS, Tennessee. Clothes for a Summer Hotel – A Ghost Play. New York: New Directions, 1983.

WILLIAMS, Tennessee. Now the Cats with Jeweled Claws & Other One-act Plays. New York: New Directions, 2016.

WILLIAMS, Tennessee. Spring Storm. Dan Issac (ed.). New Directions: New York, 1999.

WILLIAMS, Tennessee. The Magic Tower and Other One-act Plays. Thomas Keith (ed.). New York: New Directions, 2011.

WILLIAMS, Tennessee. The Theatre of Tennessee Williams. New York: New Directions, 1990a. v. I.

WILLIAMS, Tennessee. The Theatre of Tennessee Williams. New York: New Directions, 1990b. v. IV.

WILLIAMS, Tennessee; WINDHAM, Donald. You Touched Me! – A Romantic Comedy in Three Acts. New York: Samuel French, 2010.

WOODS, Gregory. A History of Gay Literature – The Male Tradition. London: Yale University Press, 1998.

Downloads

Published

2023-01-01

How to Cite

Toledo, L. M. A. de. (2023). A figuração ambígua e indefinida da identidade sexual na obra de Tennessee Williams. Aletria: Revista De Estudos De Literatura, 32(3), 218–239. Retrieved from https://periodicos.ufmg.br/index.php/aletria/article/view/38015

Issue

Vol. 32 No. 3 (2022): Romanticism and Classicism: Present Times of an Old Quarrel

Section

Varia

License

Copyright (c) 2022 Luis Marcio Arnaut de Toledo (Autor)

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).