Três versões de Orfeu
DOI:
https://doi.org/10.17851/2317-2096.8..34-41Palabras clave:
myth, Orpheus, Vinicius de Moraes, Marcel Camus, Carlos Diegues.Resumen
Resumo: Ao se analisarem três criações intertextuais cujo tema é o mito de Orfeu retratam-se três momentos da história brasileira, levando-se em conta elementos do mito e rubricas da peça que serviu de “origem” para os dois filmes. Conclui-se que não só a música e a arte brasileira são louvadas, mas também, através delas, a identidade nacional é retratada.
Palavras-chave: mito; Orfeu; Vinicius de Moraes; Marcel Camus; Carlos Diegues.
Absctract: On analysing three intertextual texts on the theme of the Orpheus myth, this paper argues that they project three moments in Brazilian history. Some elements of the myth and some stage directions by the author of the play that served as “origin” of the other two films are taken into consideration. The conclusion is that not only Brazilian art and music are praised, but, through them, national identity is portrayed.
Keywords: myth; Orpheus; Vinicius de Moraes; Marcel Camus; Carlos Diegues.
Descargas
Citas
AVELLAR, Marcello Castilho de. Orfeu mergulha de volta ao inferno. Estado de Minas, Belo Horizonte, 14 abr. 1999. Espetáculo, p. 6.
CALLADO, Antônio. Orfeu tirou Tom do piano e Vinicius do país. Folha de S. Paulo, São Paulo, 30 set. 1995. Ilustrada, p. 5-12.
CAMUS, Marcel (Dir). Orfeu Negro. França, 1959.
DIEGUES, Carlos (Dir). Orfeu. Brasil, 1999.
LEFEVERE, Andre. Translating literature: Practice and theory in a comparative literature context. New York: The Modern Language Association of America, 1992.
MORAES, Vinicius de. Orfeu da Conceição: uma tragédia carioca. In: ______. Poesia Completa e Prosa. Rio de Janeiro: Editora Nova Aguilar, 1987.
SANTIAGO, Silviano. Democratização no Brasil – 1979-1981 (Cultura versus arte). In: ANTELLO, Raul et alii (Org.). Declínio da Arte. Ascenção da Cultura. Florianópolis: Obra Jurídica, 1998. p.11-23.
SARTRE, Jean-Paul. Reflexões sobre o racismo. Trad. J. Guinsberg. [s.l.]: Difusão Européia do Livro, 1963.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2001 Thais Flores Nogueira Diniz (Autor)
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).