Falar, ver, fabular
DOI:
https://doi.org/10.17851/2317-2096.8..77-88Palabras clave:
speech, vision, film, literature.Resumen
Resumo: Inspirado na filmografia de Jean Eustache, este ensaio focaliza seu trabalho sob os signos da fala, da visão e da fabulação, estudando, também, o romance Damien, de Lucile Laveggi, baseado na vida e nos filmes do cineasta.
Palavras-chave: fala; visão; cinema; literatura.
Abstract: Inspired on Jean Eustache’s filmography, this essay focuses on his work under the signs of speech, vision and fabulation, studying, too, the novel Damien, by Lucile Laveggi, based on the director’s life and films.
Keywords: speech; vision; film; literature.
Descargas
Citas
BELLOUR, Raymond. L’entre-images 2. Paris: P.O.L, 1999.
BLANCHOT, Maurice. L’entretien infini. Paris: Gallimard, 1969.
LAVEGGI, Lucile. Damien. Paris: Gallimard, 2000.
NANCY, Jean-Luc. The birth to presence. Trad. Brian Holmes et al. Stanford: Stanford University Press, 1993.
SHAVIRO, Steven. The cinematic body. Minneapolis; Londres: University of Minnnesota Press, 1993. (Theory out of Bounds, v. 2).
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2001 Mauricio Salles Vasconcelos (Autor)
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
