Morte da imagem e eterno retorno do nonsense
DOI:
https://doi.org/10.17851/2317-2096.10..30-52Palabras clave:
visão, abjeção, alegoria, vision, abject, allegory.Resumen
Resumo: O fantasma está ligado não só a uma experiência íntima ao sujeito mas também a algo radicalmente alheio a ele, cuja saturada proximidade produz uma ausência paradoxal de sentido. O nonsense ou angústia do sujeito desvenda-nos a passagem entgre o corpo material e a lei paterna, mas exibe,ainda, a fragilidade de nossos próprios limites (dentro/fora). O debate dessas questões, em artistas como Marcel Duchamp ou teóricos como Carl Einstein, é o objetivo deste ensaio.
Palavras-chave: visão; abjeção; alegoria.
Abstract: There is a fantasmatic substance not only intimate with the subjet but also radically alien to it whose overproximity produces a paradoxical lack of sense. This nonsense or panic in the subject shows the passage between the material body and the paternal law as well as the fragility of our boundaries (inside/ outside). The discussion of these topics in such artists as Marcel Duchamp or theorists like Carl Einstein is the focus of this paper.
Keywords: vision; abject; allegory.
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