Uma abordagem comparativa da ironia: conceito, tropo e performance
DOI:
https://doi.org/10.17851/2317-2096.20.1.49-62Palabras clave:
ironia, Paul de Man, Friedrich Schlegel, irony.Resumen
Resumo: No presente artigo identificamos uma compreensão da ironia que é comum ao primeiro-romântico alemão Friedrich Schlegel e ao crítico Paul de Man. Nessa linhagem, a ironia é entendida antes como tropo e performance do que como conceito, o que tem consequências para a própria legibilidade do discurso.
Palavras-chave: ironia, Paul de Man, Friedrich Schlegel.
Abstract: We pursue in this paper an understanding of irony which is shared by both the German author Friedrich Schlegel and the critic Paul de Man. Irony is rather understood as a trope and as a performative act than as a concept, which has indeed consequences to the very legibility of texts.
Keywords: irony; Paul de Man; Friedrich Schlegel.
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DE MAN, Paul. The concept of irony. In: ____. Aesthetic ideology. 4. ed, Minneapolis/ London: University of Minnesota Press, 2006. p. 163-184.
FINLAY, Marike. The romantic irony of semiotics: F. Schlegel and the crisis of representation. Berlin/New York/Amsterdam: Mouton de Gruyter, 1988.
FRANK, M. Allegorie, Witz, Fragment, Ironie. Friedrich Schlegel und die Idee des zerrissenen Selbst. In: REIJEN, Willem van. Allegorie und Melancholie. Frankfurt am Main: Suhrkamp, 1992.
SZCREPANSKI, Jens. Subjektivität und Ästhetik. Bielefeld: Transkript, 2006.
SCHLEGEL, F. Kritische Friedrich-Schlegel-Ausgabe. München/Paderborn/Wien, Ferdinand Schöningh, 1967. v. II.
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Derechos de autor 2010 Wilma Patricia Marzari Dinardo Maas (Autor)
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