Uma "tradução" livre de Sófocles: J. Anouilh, Antigone
DOI :
https://doi.org/10.17851/2317-2096...177-189Mots-clés :
tradução, recriação, Sófocles, Jean Anouilh, Antígona, tradition, recreation.Résumé
Resumo: Ao reescrever o tema de Antígona, Anouilh introduziu novidades em obediência a dois objectivos primordiais: adoptar uma estratégia dramática capaz de ultrapassar as barreiras do tempo e do espaço; e garantir a compreensão de um auditório francês do século XX (1943) perante um original grego do séc. V a. C. (c. 441 a. C.). Do resultado fala a popularidade que a nova produção conseguiu, transformando- se numa etapa intermédia entre Sófocles e outras criações modernas.
Palavras-chave: tradução; recriação; Sófocles; Jean Anouilh; Antígona.
Abstract: On writing about Antigone, Anouilh introduced several innovations following two main purposes: to use a dramatic strategy able to reduce spacial and temporal distance from his model; and to obtain the comprehension of a 20th century French audience in relation to a fifth century Greek original. His creation became very popular and functioned as a step between Sophocles and other modern recreations.
Keywords: tradition; recreation; Sófocles; Jean Anouilh; Antígona.
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Références
ANOULH, Jean. Antígona. Trad. port. M. B. Simões. Lisboa: Presença, 1965. 148 p.
SILVA, M. F. Ensaios sobre Eurípides. Lisboa: Cotovia, 2005. 404 p.
SILVA, M. F. Ésquilo, o primeiro dramaturgo europeu. Coimbra: Imprensa da Universidade, 2005. 175 p.
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(c) Copyright Maria de Fátima Sousa Silva (Autor) 2009
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