Batucar-cantar-dançar: desenho das performances africanas no Brasil
DOI :
https://doi.org/10.17851/2317-2096.21.1.133-146Mots-clés :
performance, performance afro-brasileira, tradição africanaRésumé
A partir do poderoso trio “batucar-cantar-dançar”, encontrado como característica principal da performance na África negra pelo filósofo do Congo Bunseki Fu-Kiau, o autor analisa os processos da recriação em solo brasileiro das principais performances afro-brasileiras, tanto religiosas como seculares.
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(c) Tous droits réservés Zeca Ligiéro (Autor) 2011
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