Intermedial Performance Aesthetics in Patricia Fagundes' A Midsummer Night's Dream

Auteurs

  • Anna Stegh Camati Centro Universitário Campos de Andrade

DOI :

https://doi.org/10.17851/2317-2096.23.3.141-156

Mots-clés :

Intermediality, media combination, intermedial references

Résumé

In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay investigates the negotiations and shifts of meaning in the homonymous Brazilian adaptation (2006), staged by Cia. Rústica and directed by Patrícia Fagundes. The intermedial processes, articulated in the transposition from page to stage, will be analyzed in the light of contemporary theoretical perspectives.

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Biographie de l'auteur

Anna Stegh Camati, Centro Universitário Campos de Andrade

Doutora em Língua Inglesa e Literaturas Inglesa e Norte-Americana pela USP. Pós-doutorado na UFSC. Professora Titular do Mestrado em Letras - Teoria Literária da UNIANDRADE. Co-editora do Arquivo Digital Globalshakespeares do MIT/USA - Montagens brasileiras de Shakespeare.

Références

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BROOKS, Harold Fletcher. Introduction: Lyricism, Music and Dance. In: SHAKESPEARE, William. A Midsummer Night’s Dream. Edited by Harold Fletcher Brooks. London: Thomson Learning, 2003. p. cxx-cxxv. (The Arden Shakespeare).

FAGUNDES, Patrícia. Sonho de uma noite de verão. Performance text. New translation and adaptation of Shakespeare’s A Midsummer Night’s Dream. [s.l.]: [s.n.], 2005. p. 1-33. Digital version.

GAUDREAULT, André; MARION, Phillipe. Transécriture and Narrative Mediatics: The Stakes of Intermediality. In: STAM, Robert; RAENGO, Alessandra (Ed.). A Companion to Literature and Film. Oxford: Blackwell, 2008. p. 58-70.

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OSBORNE, Laurie. Mixing Media and Animating Shakespeare Tales. In: BURT, Richard; BOOSE, Lynda E. (Ed.). Shakespeare – The Movie II: Popularizing the Plays on Film, TV, Video, and DVD. London; New York: Routledge, 2003. p. 140-153.

RAJEWSKY, Irina O. Border Talks: The Problematic Status of Media Borders in the Current Debate on Intermediality. In: ELLESTRÖM, Lars (Ed.). Media Borders, Multimodality and Intermediality. New York: Palgrave Macmillan, 2010. p. 51-68.

RAJEWSKY, Irina O. Intermediality, Intertextuality and Remediation: A Literary Perspective on Intermediality. Intermédialités, n. 6, p. 43-64, Autumn 2005.

SANDERS, Julie. Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity Press, 2007.

SHAKESPEARE, William. A Midsummer Night’s Dream. Edited by Harold Fletcher Brooks. London: Thomson Learning, 2003. (The Arden Shakespeare).

SHAKESPEARE, William. Hamlet. Edited by Ann Thompson and Neil Taylor. London: Thomson Learning, 2006. (The Arden Shakespeare).

SHAKESPEARE, William. The Tempest. Edited by Virginia Mason Vaughan and Alden T. Vaughan. London: Thomson Learning, 2011. (The Arden Shakespeare).

SONHO de uma noite de verão. DVD Recording of Cia. Rústica’s production of Shakespeare’s A Midsummer Night’s Dream. Translated, adapted and directed by Patrícia Fagundes. [s.l.]: [s.n.], 2006.

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Fichiers supplémentaires

Publiée

2013-12-31

Comment citer

Camati, A. S. (2013). Intermedial Performance Aesthetics in Patricia Fagundes’ A Midsummer Night’s Dream. Aletria: Revista De Estudos De Literatura, 23(3), 141–156. https://doi.org/10.17851/2317-2096.23.3.141-156

Numéro

Vol. 23 No 3 (2013): Intermidialidade

Rubrique

Dossiê - Intermidialidade - Parte IV

Licence

(c) Tous droits réservés Anna Stegh Camati (Autor) 2013

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