Nietzsche, Plato and the Power of the Duende: The Shamanic Roots of Poetry
DOI :
https://doi.org/10.17851/2317-2096.25.3.161-178Mots-clés :
poetry, shamanism, Nietzsche, Plato, DuendeRésumé
This article deals with the shamanic roots of poetic achievement by way of analyzing the ancient Greek art-deities, namely Apollo and Dionysus, in their sharp opposition of artistic tendencies as they are presented by Friedrich Nietzsche in his reappraisal of Platonic considerations on artistic creation. This first analysis is soon followed by an interesting parallel to the Nietzschean force of the Dionysian that can be found in the equally mysterious power of the “Duende,” present in Federico García Lorca’s fusion of Surrealist concerns with his sense of native Andalusian culture, as a means to show the shamanic roots of poetic representation.
Téléchargements
Références
BAREA, Arturo. Lorca: the poet and his people. New York: Grove Press, 1960.
ELIADE, Mircea. Shamanism: archaic techniques of ecstasy. Princeton: Princeton University Press, 1964.
HUNTINGTON, William (Ed.). The Philosophy of Nietzsche. New York: The Modern Library, 1927.
HUTCHINS, Robert Maynard (Ed.). Great books of the Western World. Chicago: Chicago University Press, 1971.
LONGINUS. On the sublime. Translated by D. A. Russell. Oxford: Clarendon Press, 1965.
LORCA, Federico García Lorca. The Duende. In: LORCA, Federico García Lorca. Poet in New York. New York: Grove Press, 1955.
NIETZSCHE, Friedrich. The twilight of the idols. In: KAUFMANN, Walter (Ed.). The portable Nietzsche. New York: Penguin Books, 1982.
PLATO. Ion. In: HUTCHINS, Robert Maynard (Ed.). Great books of the Western World. Chicago: Chicago University Press, 1971.
PLATO. The Republic. In: HUTCHINS, Robert Maynard (Ed.). Great books of the Western World. Chicago: Chicago University Press, 1971.
ROTHENBERG, Jerome. Symposium of the whole. Berkeley: University of California Press, 1983.
SEVCENKO, Nicolau. No princípio era o ritmo: as raízes xamânicas da narrativa. In: RIEDEL, Dirce Cortes (Ed.). Narrativa, ficção e história. Rio de Janeiro: Imago, 1988.
Téléchargements
Fichiers supplémentaires
Publiée
Comment citer
Numéro
Rubrique
Licence
(c) Tous droits réservés Marcel de Lima (Autor) 2016
Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
