Morte, ressurreição ou superação do romance?
DOI :
https://doi.org/10.17851/2317-2096.28.1.61082Mots-clés :
romance, contemporaneidade, morte do romance, romance geopolítico, obra-mundoRésumé
O presente artigo busca analisar panoramicamente as transformações formais e circunstâncias históricas e culturais que contribuíram ou determinaram as discussões críticas sobre a “morte do romance”, isto é, a saturação do gênero romanesco no contexto das produções literárias moderna e contemporânea. À vista disso, pretende-se explorar se há de fato uma queda ou infertilidade na composição romanesca, ou se existe efetivamente um esforço consciente e deliberado de autores das mais diversas nacionalidades e tradições para uma reformulação da estrutura do romance.
Téléchargements
Références
BARTH, John. Letters. Nova York: Book Sales, 1981.
BARTH, John. The Literature of Exhaustion. In: BARTH, John. The Friday Book: Essays and Other Nonfiction. Baltimore, MD: Johns Hopkins University Press, 1984. p. 62-76.
BERARDINELLI, Alfonso. Não incentivem o romance e outros ensaios. São Paulo: Nova Alexandria; Humanitas, 2007.
BORGES, Jorge Luis. Obras completas. São Paulo: Globo, 1999.
CLAUSEWITZ, Carl von. Da guerra. São Paulo: Martins Fontes, 2010.
COMPAGNON, Antoine. Os cinco paradoxos da modernidade. Belo Horizonte: Editora UFMG, 2014.
FEHÉR, Ferenc. O romance está morrendo? Rio de Janeiro: Paz e Terra, 1972.
FUKUYAMA, Francis. O fim da história e o último homem. Rio de Janeiro: Rocco, 1992.
GLISSANT, Édouard. Introdução a uma poética da diversidade. Juiz de Fora: EDUFJF, 2005.
HALL, James W. Hit Lit: Cracking the Code of the Twentieth Century’s Biggest Bestsellers. New York: Random House, 2012.
HUXLEY, Aldous. Admirável Mundo Novo. São Paulo: Globo, 2002.
IRR, Caren. Toward the Geopolitical Novel: U.S. Fiction in the Twenty-First Century. Nova York: Columbia University Press, 2014.
KIMBALL, Roger. Experimentos contra a realidade: o destino da cultura na pós-modernidade. São Paulo: É Realizações, 2016.
LAWRENCE, D. H. The Future of the Novel (Surgery for the Novel – Or a Bomb). In: LAWRENCE, D. H. Study of Thomas Hardy and Other Essays. Cambridge: Cambridge University Press, 1985. p. 149-156.
LEVINSON, Brett. The ends of literature: The Latin American “Boom” in the Neoliberal Marketplace. Stanford/CA: Stanford University Press, 2002.
MARX, William. L’Adieu à la littérature – Histoire d’une dévalorisation, XVIIIe – XXe siècles. Paris: Les Éditions de Minuit, 2005.
MILLET, Richard. Désenchantement de la littérature. Paris: Gallimard, 2007.
MORETTI, Franco. Modern Epic: The World System from Goethe to Gabriel García Márquez. London/NewYork: Verso, 1996.
PERRONE-MOISÉS, Leyla. O longo adeus à literatura. Folha de S.Paulo, São Paulo, 10 jul. 2011.
PRIGOGINE, Ilya. O fim das certezas. São Paulo: Unesp, 1997.
REED, Walter. Don Quixote: The Birth, Rise, and Death of the Novel. Indiana Journal of Hispanic Literatures, v. 5, p. 263-278, 1994.
RYN, Claes G. The New Jacobinism: America as Revolutionary. Bowie/Maryland: National Humanities Institute, 2011.
SCHMITT, Carl. Legality and legitimacy. London: Duke University, 2004.
SHEPPARD, Richard. A crise da linguagem. In: BRADBURY, Malcom; MCFARLANE, James. Modernismo guia geral: 1890-1930. São Paulo: Companhia das Letras, 1989. p. 263-274.
STEINER, George. The Death of Tragedy. London: Faber and Faber, 1974.
VERMEULEN, Pieter. Contemporary Literature and the Death of the Novel. Hampshire: Palgrave Macmillan, 2015.
WOLIN, Sheldon S. Democracy Incorporated: Managed Democracy and the Specter of Inverted Totalitarianism. Princeton: Princeton University Press, 2017.
WOOD, James. Human, All Too Inhuman. The New Republic, Nova York, 24 jul. 2010.
Téléchargements
Publiée
Comment citer
Numéro
Rubrique
Licence
(c) Tous droits réservés Fabrício Tavares Moraes (Autor) 2018
Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
