Female writing in the collection “Onze em campo e um banco de primeira”

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Augusto Sarmento-Pantoja

Abstract

The present study analyzes forms of resistance in the collection: Onze em campo e um banco de primeira, published in 1998. In this study, we observe how Brazilian writers constructed their readings of Brazilian political, social, and cultural reality under the feminine lens of soccer. The work presents the perspective of thirteen writers and three women writers on the subject of football, with texts that go far beyond the four lines, as they express the effects of the end of the dictatorial regime on Brazilian society, in addition to questions about politics, culture and the passions surrounding football. We will stop to analyze the short stories: Aguenta Coração, by Hilda Hilst; Escanteio, by Ana Maria Martins; and Que horas são?, by Edla Van Steen, in search of understanding how the theme of football will be narrated to express various other forms of resistance to social authoritarianism and resistance in their writings, and how the authors construct meanings and resistance in a field theme, in which women have still been sidelined and subordinated, in this sense, we will also deal with the recovery of the debate about the prohibition of women's football in 1941, as a result of the expansion of women's participation in sport, evidenced in the newspapers, due to the of the first matches in the state of São Paulo.

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How to Cite
SARMENTO-PANTOJA, A. Female writing in the collection “Onze em campo e um banco de primeira”. FuLiA/UFMG , Belo Horizonte/MG, Brasil, v. 9, n. 2, p. 159–184, 2024. DOI: 10.35699/2526-4494.2024.49230. Disponível em: https://periodicos.ufmg.br/index.php/fulia/article/view/49230. Acesso em: 21 nov. 2024.
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Author Biography

Augusto Sarmento-Pantoja, Universidade Federal do Pará

Adjunct Professor IV, of Literature, at the Federal University of Pará (UFPA), Faculty of Letters (FALE) and Postgraduate Program in Letters (PPGL), at the Institute of Letters and Communication (ILC). He completed a postdoctoral degree in 2019-2020-2021, at the Center for Comparative Studies, at the University of Lisbon (ULisboa), in Portugal. PhD in Theory and History of Literature from the University of Campinas (UNICAMP). Master in Letters - Literary Studies from the Federal University of Pará (UFPA). Leader of the Aesthetics, Performances and Hybridisms Research group (ESPERHI) and researcher of the Resistance Narrative Studies group (NARRARES). He coordinated the Cities, Territories and Identities Postgraduate Program (PPGCITI) and was the vice-coordinator of the Postgraduate Program in Letters-PPGL. He has experience with different types of Art, with an emphasis on Dramaturgy, Cinema and Literature, working mainly in the following areas: literary theory, Brazilian literature, Portuguese literature, theater, cinema, methodological procedures in language and literature, Critical reception, culture, literary semiotics , articulations of literature with other arts and performance. Theater researcher and its implications in contemporary times; Classical Theater; Resistance Theater; Amazon Expression Theater; Trauma; A testimony; Narrative of Resistance; Performance; Spectacularization; Narrativity and Visuality in the Amazon.

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References

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