Performando internacionalismo uma análise discursiva dos trajes de artistas e suas comunicações políticas durante as Cerimônias de Abertura e Encerramento dos Jogos Olímpicos de Verão (2000–2020)
Barra lateral de artigos
Conteúdo do artigo principal
Resumo
As edições modernas dos Jogos Olímpicos abarcam valores internacionais, considerando esportes como uma ferramenta para negociar questões geopolíticas. Em particular, as Cerimônias de Abertura e Encerramento podem ser tidas como eventos solenes, de aspecto visual importante. Baseando-se numa perspectiva discursiva pela ótica de Bendel Larcher, Kress e Heller, este artigo analisa formatos e cores de itens de vestuário utilizados por artistas durante as Cerimônias de Abertura e Encerramento das edições de 2000 a 2020. O artigo tem como foco os artistas convidados para se apresentarem nessas ocasiões e seu papel de comunicarem diferentes mensagens acerca da conjuntura internacional.
Downloads
Detalhes do artigo
Seção
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
1. Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
2. Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.
3. Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (veja O Efeito Acesso Livre).
Como Citar
Referências
ANDERSON, Benedict. Imagined communities: reflections on the origin and spread of nationalism. London/New York: Verso, 1983.
ANGERMULLER, Johannes; MAINGUENEAU, Dominique; WODAK, Ruth. (Org.). The Discourse Studies Reader: Main currents in theory and analysis. Amsterdam/Philadelphia: John Benjamins, 2014.
ARNING, Chris. Soft power, ideology and symbolic manipulation in Summer Olympic Games opening ceremonies: a semiotic analysis. Social Semiotics, 2013, 23:4, p. 523-544.
BANCEL, Nicolas et al. (Org.). Une histoire mondiale de l’Olympisme (1896-2024). Neuilly: Éditions Atlande, 2023.
BENDEL LARCHER, Sylvia. Linguistische Diskursanalyse: ein Lehr- und Arbeitsbuch, Tübingen: Narr, 2015.
BREWARD, Christopher. The suit: Form, Function and Style. London: Reaktion Books, 2016.
BRIESE, Robyn. Sustaining Sydney: The ‘Green Olympics’ from a global perspective. Urban Policy and Research, 2001, v. 19, issue 1, p. 25-42.
CHALKLEY, Brian; ESSEX, Stephen. Sydney 2000: the “Green Games”? Geography, v. 84, n. 4 (October 1999), p. 299-307.
CHARTIER, Roger. Avant-propos. In: NORBERT, Elias; DUNNING, Eric. Sport et civilisation: la violence maîtrisée. Paris: Fayard, 1986.
COPSEY, Rob. Darren Hayes reflects on Savage Garden: “It was an era of glam, excess and super popstars”. Official Charts, 18 Jan. 2016.
CORDEIRO, Dani; OPPENHEIMER, Walter; MAGRI, Diogo. Qual é o efeito econômico de ser sede olímpica? Pode ser um trampolim, mas também uma herança maldita. El País, 14 Jul. 2021.
COUBERTIN, 1896 apud OLIVEIRA, Nelma Gusmão de. Mega-events, city and power. London: Routledge, 2021.
FREEMAN. Director: Laurence Billiet. Australia, 2021 (58 min.). Available at: https://iview.abc.net.au/show/freeman. Accessed on: 24 Feb. 2024.
FURRER, Philippe. Sydney 2000: “Sharing the spirit?”: attitudes towards the Olympics in the context of Sydney’s socio-spatial polarisation. PhD thesis (University of Wollongong), 1998.
GOFFMAN, Erving. The presentation of self in everyday life. New York: Anchor Books, 1980 [1959].
GRUNEAU, Richard; HORNE, John. Mega-events and globalization: a critical introduction. In: GRUNEAU, Richard; HORNE, John. (Org.). Mega-events and globalization: Capital and spectacle in a changing world order. London: Routledge, 2016.
GRUNEAU, Richard; HORNE, John. (Org.). Mega-events and globalization: Capital and spectacle in a changing world order. London: Routledge, 2016.
HAVELY, J. The Olympics: a very political game. CNN, 13 Jul. 2001.
HAYES, Graeme; KARAMICHAS, John. (Org.). Olympic Games, Mega-Events and Civil Societies: Globalization, Environment, Resistance. Basingstoke/New York: Palgrave Macmillan, 2012.
HELLER, Eva. A psicologia das cores: como as cores afetam a emoção e a razão. Tradução: Maria L. L. da Silva. São Paulo: Gustavo Gili, 2013.
HELLER, Eva. Wie Farben wirken: Farbpsychologie, Farbsymbolik, kreative Farbgestaltung. 11. Auflage. Reinbek: Rowohlt, 2001.
HISTOIRE, SPORT ET CITOYENNETÉ. Expanded exhibition, 2024.
JOHN LENNON. Drones light up the sky & artists sing ‘Imagine’ at the Tokyo 2020 Olympics Opening Ceremony.
KAVETSOS, Georgios; SZYMANSKI, Stefan. Olympic Games, Terrorism and their Impact on the London and Paris Stock Exchanges. Revue d'économie politique, 2008, v. 118, p. 189-206.
KELMENDI, Diellza; HVZIU, Besa; ARIFI, Fitim. Olympism and role of Olympic Values in Sport. J. Anthr. Sport Phys. Educ. 8 (2024), 2, p. 14.
KENNEDY, Merrit; FADEL, Leila; GOLDMAN, Tom. Olympic Opening Ceremony Is A Delicate Mix Of Celebration and Solemnity. NPR, 23 Jul. 2021.
KONSTANTAKI, Maria; WICKENS, Eugenia; PERRIS, Feng Yi. Themes and content of the London 2012 Olympic Games Opening Ceremony: A comparison between pre-Games perspectives of British residents and actual ceremonial elements. Tourism and Hospitality Research, v. 19, Issue 1, Jan. 2019, p. 40-53.
KRESS, Gunther. Multimodality: A Social Semiotic Approach to Contemporary Communication. London/New York: Routledge, 2010.
KRESS, Gunther; VAN LEEUWEN, Theo. Reading Images: The Grammar of Visual Design. 3rd ed. Abingdon/New York: Routledge, 2021.
LATTIPONGPUN, Wichian. The Origins of the Olympic Games’ Opening and Closing Ceremonies: Artistic Creativity and Communication. Intercultural Communication Studies, 2010, XIX, 1.
N/A. As imagens da cerimônia de abertura da Olimpíada. El País. 5 Aug. 2016.
N/A. Histoire mondiale de l’olympisme: «Les JO sont aussi importants que l’Onu». LaNouvelleRépublique.fr, 8 Jan. 2024.
NEW SOUTH WALES Treasury (Office of Financial Management); The Centre for Regional Economic Analysis (University of Tasmania). The Economic Impact of the Sydney Olympic Games, Research and Information Paper, Nov. 1997.
NORBERT, Elias; DUNNING, Eric. Sport et civilisation: la violence maîtrisée. Paris: Fayard, 1986.
O’CONNOR, Georgia. How the Sydney Olympics amplified First Nation voices on and off the track. Sydney Opera House, 28 Sep. 2020.
OLIVEIRA, Nelma Gusmão de. Mega-events, city and power. London: Routledge, 2021.
OLYMPICS YouTube Channel. Accessed on: 26 Nov. 2023.
PEREZ, Raphael; SOARES, Cecília. Shapes and colours as symbols for international values: a discursive analysis of sartorial items used at the Opening and Closing Ceremonies of the Summer Olympic Games between 2000 and 2020. Fashioning the Body for Sport and Leisure: A History of Dress and Textiles, London, 2022.
POETRY FOUNDATION. Mythistorema (by George Seferis).
ROWE et al. apud FURRER, Philippe. Sydney 2000: “Sharing the spirit?”: attitudes towards the Olympics in the context of Sydney’s socio-spatial polarisation. PhD thesis (University of Wollongong), 1998, p. 62.
SLINGERLAND, Edward. Analects: Selections from Traditional Commentaries. Indianapolis: Hackett, 2003.
SPAAIJ, Ramón. Terrorism and Security at the Olympics: Empirical Trends and Evolving Research Agendas. The International Journal of the History of Sport, 2016, 33:4, p. 451-468.
TEETZEL, Sarah. Olympism: The Evolution. In: GEORGIADIS, Konstantinos. (Org.). Olympic Movement: The process of renewal adaption. 55th International Session for Young Participants (Ancient Olympia, 23/5-6/6/2015). International Olympic Academy, Athens, 2016, p. 107-117.
THE OLYMPIC GAMES OF PARIS 2024 Official Website.
THE OLYMPIC MUSEUM. The Modern Olympic Games. 3rd ed. Lausanne: The Olympic Museum, 2013.
TOMLINSON, Alan. Olympic spectacle: opening ceremonies and some paradoxes of globalization. Media, Culture and Society, 1996, v. 18, p. 583-602.
TOOHEY, Kristine; TAYLOR, Tracy. Mega Events, Fear, and Risk: Terrorism at the Olympic Games. Journal of Sport Management, 2008, v. 22, p. 451-469.
TRAGANOU, Jilly. National Narratives in the Opening and Closing Ceremonies of the Athens 2004 Olympic Games. Journal of Sport and Social Issues, 2010, v. 34, issue 2, p. 236-251.
UNITED NATIONS. United Nations Millennium Declaration. 8 Sep. 2000.
WADE, Matt. The economic legacy of Sydney’s Olympics is still taking shape. Sydney Morning Herald, 22 Sep. 2020.
ZEBULON BAKER, S. Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered. Southern Spaces, 21 Mar. 2006.