Crime propaganda in nazi police movies

Authors

  • Luiz Nazario Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.17851/1982-3053.3.5.51-72

Keywords:

Cine, Nazism, Crime

Abstract

The most common crimes in the nazi movies were the seduction of women, the forgery of amounts, the theft of German documents and inventions, the fraud that damaged the people and overall the theft of jewelry. The criminals were represented with similar physical features: adiposes, dim and sensual look, with mustaches that decorated thick lips. Such biotypes were widely related to the Jewish in the anti Semitic caricatures. Nazi and pre Nazi widely spread in the press media of the Third Reich.

Downloads

Download data is not yet available.

Author Biography

Luiz Nazario, Universidade Federal de Minas Gerais

Historiador e professor de História do Cinema na Escola de Belas Artes da UFMG. Publicou, entre outros títulos, Da natureza dos monstros, As sombras móveis, A cidade imaginária e Todos os corpos de Pasolini.

References

ARENDT, Hannah. Origens do totalitarismo. São Paulo: Cia. das Letras, 1989.

BAER, Harry. A vida sufocante de Fassbinder. São Paulo: Editora Brasiliense, 1982.

BARTHES, Roland. Aula. São Paulo: Cultrix, 1979.

BEYER, Friedemann. Peter Lorre. Seine Filme, sein Leben. Munique: Wilhelm Heyne, 1988.

BRENNER, Hildegard. La politique artistique du national-socialisme. Paris: Maspéro, 1980.

DELAGE, Christian. La vision nazie de l’Histoire à travers le cinéma documentaire du Troisième Reich. Lausanne: L’Age d’Homme, 1989.

DREWNIAK, Boguslaw. Der deutsche Film 1938-1945 - Ein Gesamtüberblick. Düsseldorf: Droste, 1987.

FASSBINDER, Rainer Werner. Die Anarchie der Phantasie. Frankfurt: Fischer, 1986.

FASSBINDER, Rainer Werner. Les films libèrent la tête. Paris: L’Arche, 1985.

FURHAMMAR, Leif e ISAKSSON, Folke. Cinema e política. Rio de Janeiro: Paz e Terra, 1976.

GIESEN, Rolf; HOBSCH, Manfred: Hitlerjunge Quex, Jud Süss und Kolberg. Die Propagandafilme des Dritten Reiches. Dokumente und Materialien zum NS-Film. Berlin: Schwarzkopf & Schwarzkopf Verlag 2005.

HARLAN, Veit. Le cinéma allemand selon Goebbels – Souvenirs. Paris: France-Empire, 1974.

HILBERG, Raul. La destruction des Juifs d’Europe. Paris: Gallimard, 1991.

HOLLSTEIN, Dorothea. Jud Süß und die Deutschen – Antisemitische Vorurteile im nationalsozialistischen Spielfilm. Berlin: Ullstein, 1983.

JANSEN, Peter; SCHÜTTE, Wolfram. Rainer Werner Fassbinder. Frankfurt: Fischer, 1992.

KATZ, Robert. O amor é mais frio que a morte. São Paulo: Editora Brasiliense, 1992.

KOCH, Gertrude. Die Einstellung ist die Einstellung, Frankfurt: Suhrkamp,1992.

NAZARIO, Luiz. De Caligari a Lili Marlene. São Paulo: Editora Globo, 1983.

NAZARIO, Luiz. Fassbinder e a morte, in: Revista Cultura Vozes, nº 2, ano 88, pp. 40-63. Petrópolis: Editora Vozes, março e abril de 1994.

NAZARIO, Luiz. Imaginários de destruição - O papel do cinema na preparação do Holocausto. Tese de doutorado. São Paulo: USP, 1994. Inédita.

O'BRIEN, Mary-Elizabeth: Nazi Cinema as Enchantment. The Politics of Entertainment in the Third Reich (Studies in German Literature, Linguistics, and Culture). Rochester: Camden House 2003.

PALMIER, Jean-Michel. L’expressionisme comme revolte. Paris: Payot, 1983.

PALMIER, Jean-Michel. Weimar en éxil. Paris: Payot, 1990.

RAAB, Kurt; KARSTEN, Peters. Die Sehnsucht des Rainer Werner Fassbinder. Munique: Goldmann, 1982.

BOBERACH, Heinz (Ed.). Meldungen aus dem Reich 1938-1945. Die geheimen Lageberichte des Sicherheitsdienstes der SS. 17 volumes. “20 de janeiro de 1941”. Herrsching: Pawlak, 1984.

SPANGENBERG, Eberhard. Karriere eines Romans. Munique: Spangenberg, 1984.

WULF, Joseph. Kultur im Dritten Reich - Theater und Film. Berlin: Ullstein, 1989.

Published

2009-10-30

How to Cite

Nazario, L. (2009). Crime propaganda in nazi police movies. Arquivo Maaravi: Revista Digital De Estudos Judaicos Da UFMG, 3(5), 51–72. https://doi.org/10.17851/1982-3053.3.5.51-72