Aesthetics of Fracture and Ethics of Memory: Untranslatability and Witness Representation of the Shoah in the Poetics of Logocausto by Leandro Sarmatz

Authors

  • Fernando Oliveira Santana Júnior Universidade Federal de Pernambuco

DOI:

https://doi.org/10.17851/1982-3053.6.10.45-55

Keywords:

Memory, Shoah, Leandro Sarmatz

Abstract

The goal of this article is to analyze the theme of Shoah in Logocausto, the work of the poet, journalist, playwright and writer Jewish Leandro Sarmatz (1973-), published in 2009, which falls within the contemporary Brazilian literature of Jewish expression. This analysis will hold, more strongly in some poems that have connection with the Shoah, weaving reflections about the aesthetics of fracture in his relationship with the trauma, and the ethics of memory, in its relation to the witness.

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Detalhe de "Abraão e Sara", de Vlad Eugen Poenaru

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Published

2012-03-30

How to Cite

Santana Júnior, F. O. (2012). Aesthetics of Fracture and Ethics of Memory: Untranslatability and Witness Representation of the Shoah in the Poetics of Logocausto by Leandro Sarmatz. Arquivo Maaravi: Revista Digital De Estudos Judaicos Da UFMG, 6(10), 45–55. https://doi.org/10.17851/1982-3053.6.10.45-55

Issue

Vol. 6 No. 10 (2012): Ética e estética no arquivo da literatura judaica

Section

Artigo-Dossiê

License

Os direitos autorais pertencem exclusivamente aos autores. Os direitos de licenciamento utilizados pelo periódico é a licença Creative Commons Attribution 4.0 (CC BY 4.0): são permitidos o compartilhamento (cópia e distribuição do material em qualquer meio ou formato) e adaptação (remix, transformação e criação de material a partir do conteúdo assim licenciado para quaisquer fins, inclusive comerciais.