The Dog as a Figure of Alterity

Samuel Glasserman and Carlos Grünberg

Authors

  • Susana Skura universidad de Buenos Aires
  • Melina Di Miro Instituto de Artes del Espectáculo, Universidad de Buenos Aires

DOI:

https://doi.org/10.35699/1982-3053.2022.41966

Keywords:

Dog, Alterity, Jewish Argentine Literature

Abstract

In the following contribution we comment the use of the dog´s figure in two works by Argentine authors. They are Zisie Goy, by Samuel Glasserman (1932) and Mester de Judería, by Carlos Grünberg (1940). The first corresponds to the genre called
Yiddish Criollismo, and the second to Jewish poetry in Spanish. In both cases we focus on
situations of violence where appear the insults “dog blood” and “Jewish dog”, respectively, and that we understand as updates to categories linked to long-standing traditions.

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Author Biography

Melina Di Miro, Instituto de Artes del Espectáculo, Universidad de Buenos Aires

Dra. Licenciada y Profesora en Letras por la Universidad de Buenos Aires. Investigadora del Área de Investigaciones en Artes del Espectáculo y Judeidad del Instituto de Artes del Espectáculo de la Universidad de Buenos Aires

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Published

2022-12-30

How to Cite

Skura, S., & Di Miro, M. (2022). The Dog as a Figure of Alterity: Samuel Glasserman and Carlos Grünberg. Arquivo Maaravi: Revista Digital De Estudos Judaicos Da UFMG, 16(31), 118–133. https://doi.org/10.35699/1982-3053.2022.41966