Jerkin’ the gherkin: Philip Roth’s hands-on humor
DOI:
https://doi.org/10.17851/1982-3053.5.9.117-120Palabras clave:
Jewish literature, Sex in literature, Humor, American literatureResumen
Sex, outrage, shock, and satiric humor have become Philip Roth's trademark, which this essay discusses in relation to ten of his novels, from Portnoy's Complaint (1969) to Nemesis
(2010).
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Referencias
KAKUTANI, Michiko. The Dying Animal: A Man Adrift, Living on Sexual Memories. The New York Times, May 8, 2001. Available at
MAILER, Norman. Gender, Narcissism, Masturbation. The Spooky Art: Some Thoughts on Writing. New York: Random House, 2003. p. 131-137.
ROTH, Philip. Portnoy’s Complaint. New York: Bantam, 1969/1970.
ROTH, Philip. The Counterlife. New York: Penguin, 1986.
ROTH, Philip. I Married a Communist. Boston: Houghton Mifflin, 1998.
ROTH, Philip. The Human Stain. Boston: Houghton Mifflin, 2000.
ROTH, Philip. The Dying Animal. Boston: Houghton Mifflin, 2001.
ROTH, Philip. Everyman. Boston: Houghton Mifflin, 2006.
ROTH, Philip. Exit Ghost. Boston: Houghton Mifflin, 2007.
ROTH, Philip. Indignation. Boston: Houghton Mifflin, 2008.
ROTH, Philip. The Humbling. Boston: Houghton Mifflin, 2009.
ROTH, Philip. Nemesis. Boston: Houghton Mifflin, 2010.
ZIMA, Peter V. The Philosophy of Modern Literary Theory. London: Athlone, 1999.
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O autor cede os direitos autorais à revista Arquivo Maaravi. Os direitos de licenciamento utilizados pelo periódico estão sob a Licença Creative Commons do tipo atribuição BY: são permitidos o compartilhamento (cópia e distribuição do material em qualquer meio ou formato) e adaptação (remix, transformação e criação de material a partir do conteúdo assim licenciado para quaisquer fins, inclusive comerciais.
